A. Palmer, S. Minogue, ‘Helter Skelter, Topsy-Turvy and “Loonycolour”: Carnivalesque Realism in “Saturday Night and Sunday Morning”’, English, 51.200 (2002), 127–43
Alfred, David, The Robert Tressell Lectures, 1981-88 (Rochester: WEA, 1988)
‘Anthony Cartwright - Literature’ <https://literature.britishcouncil.org/writer/anthony-cartwright>
Arana, R. Victoria, and Lauri Ramey, Black British Writing (New York: Palgrave Macmillan, 2004) <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=6283408>
Bakhtin, Mikhail, ‘“Discourse in the Novel”’, in Literary Theory: An Anthology, 2nd ed (Malden, Mass: Blackwell, 2004), pp. 674–85
———, ‘“Rabelais and  His World”’, in Literary Theory: An Anthology, 2nd ed (Malden, Mass: Blackwell, 2004), pp. 674–85 <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=4792586>
Baxendale, John, and Christopher Pawling, Narrating the Thirties: A Decade in the Making : 1930 to the Present (Basingstoke: Macmillan, 1995)
Bell, Kathleen, ‘“Arthur Seaton and the Machine: A New Reading of  Alan Sillitoe’s Saturday Night and Sunday Morning”’, in British Industrial Fictions (Cardiff: University of Wales Press, 2000), pp. 148–62
‘Bookmarking from Reading Enterprise | University of Reading’ <https://reading.rl.talis.com/ui/forms/bookmarklet.html?fast=true&amp;targetTitle=Reading%20Enterprise&amp;rft.isbn=9781403965554&amp;rft.au=Arana%2C%20R.%20Victoria.Ramey%2C%20Lauri%2C%201952-&amp;rft.date=2004&amp;rft.pub=Palgrave%20Macmillan%2C&amp;bibid=1114299&amp;title=Black%20British%20writing%20%2F%20%5Bedited%5D%20by%20R.%20Victoria%20Arana%20and%20Lauri%20Ramey.&amp;uri=https%253A%252F%252Frdg.ent.sirsidynix.net.uk%252Fclient%252Fen_GB%252Flibrary%252Fsearch%252Fdetailnonmodal%252Fent%253A%2524002f%2524002fSD_ILS%2524002f1114%2524002fSD_ILS%253A1114299%252Fada%253Fqu%253Dblack%252Bbritish%252Bwriting%2526lm%253DEXCL_LR2%2526rt%253Dfalse%2525257C%2525257C%2525257CTITLE%2525257C%2525257C%2525257CTitle>
Boos, Florence Saunders, Working-Class Women Poets in Victorian Britain: An Anthology (Peterborough, Ont: Broadview Press, 2008)
Bourdieu, Pierre, ‘“Distinction”’, in Literary Theory: An Anthology, 2nd ed (Malden, Mass: Blackwell, 2004), pp. 237–51
Bourke, Joanna, Working-Class Cultures in Britain 1890-1960: Gender, Class and Ethnicity (London: Routledge, 1994)
Brookes, I., ‘“All the Rest Is Propaganda:” Reading the Paratexts of Saturday Night and Sunday Morning’, Adaptation, 2.1 (2009), 17–33
Burnett, John, Destiny Obscure: Autobiographies of Childhood, Education and Family from the 1820s to the 1920s (London: Penguin, 1984)
———, Useful Toil: Autobiographies of Working People from the 1820s to the 1920s (London: Penguin, 1977)
Cairnie, Julie, and Marion Walls, Revisiting Robert Tressell’s Mugsborough: New Perspectives on The Ragged Trousered Philanthropists (Amherst, N.Y.: Cambria Press, 2008)
Carpenter, Humphrey, The Angry Young Men: A Literary Comedy of the 1950s (London: Allen Lane, 2002)
‘Catherine O’Flynn’ <http://www.catherineoflynn.com/>
Chinn, Carl, They Worked All Their Lives: Women of the Urban Poor in England, 1880-1939 (Manchester: Manchester University Press, 1988)
‘Coal Face (1935)’, 16AD <https://www.youtube.com/watch?v=H_eBZSWVGEM>
Coe, Jonathan, Number 11, or, Tales That Witness Madness ([London]: Penguin Books, 2016)
Coxall, Bill, ‘“Fiction with a Solid Background of Genuine Autobiography”: The Critical Reception of “The Ragged Trousered Philanthropists” in 1914’, Labour History Review, 61.2 (1996), 195–211
Daniels, Stephen, and Simon Rycroft, ‘“Mapping the Modern City: Alan Sillitoe’s Nottingham Novels”’, in The Regional Novel in Britain and Ireland, 1800-1990 (Cambridge: Cambridge University Press, 1998)
‘David Peace | Authors | Faber & Faber’ <http://www.faber.co.uk/author/david-peace/>
Davies, Margaret Llewelyn and Women’s Co-operative Guild, Maternity: Letters from Working-Women (London: Virago, 1978), Virago reprint library
Day, Gary, ‘Highs and Lows: The Problem of "Culture” in The Ragged Trousered Philanthropists’’, in British Industrial Fictions (Cardiff: University of Wales Press, 2000), pp. 71–83
Delaney, Shelagh, and Glenda Leeming, A Taste of Honey (London: Methuen, 1959), Methuen student editions <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.dramaonlinelibrary.com/plays/a-taste-of-honey-iid-160897>
Dorney, Kate, and Frances Gray, Played in Britain: Modern Theatre in 100 Plays (London: Methuen Drama, 2013) <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=1190694>
Eley, Geoff, ‘Distant Voices, Still Lives. The Family Is a  Dangerous Place: Memory, Gender and the Image of the  Working Class’’, in Revisioning History: Film and the Construction of a New Past (Princeton, N.J.: Princeton University Press, 1995), Princeton studies in culture, power, history
Emecheta, Buchi, In the Ditch: A Novel (London: Allison and Busby, 1979)
———, Second-Class Citizen (London: Hodder and Stoughton, 1974), Textplus
Engels, Friedrich, and V.G. Kiernan, The Condition of the Working Class in England (London: Penguin Books, 2005), Penguin classics <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=3008590>
Fishburn, Katherine, Reading Buchi Emecheta: Cross-Cultural Conversations (Westport, Conn: Greenwood Press, 1995), Contributions to the study of world literature
Fordham, John, ‘“Working-Class Fiction across the Century”’, in The Cambridge Companion to the Twentieth-Century English Novel (Cambridge: Cambridge University Press, 2013), Cambridge Companions to Literature <https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.1017/CCOL9780521884167>
Fox, Pamela, Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 (Durham, N.C.: Duke University Press, 1994), Post-contemporary interventions <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=306294>
———, Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 (Durham, N.C.: Duke University Press, 1994), Post-contemporary interventions <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=306294>
———, Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 (Durham, N.C.: Duke University Press, 1994) <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=1167675>
———, Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 (Durham, N.C.: Duke University Press, 1994), Post-contemporary interventions <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=306294>
———, Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 (Durham, N.C.: Duke University Press, 1994) <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=1167675>
———, ‘De/Re-Fusing the Reproduction-Resistance Circuit of Cultural Studies: A Methodology for Reading Working-Class Narrative’, Cultural Critique, 28, 1994 <https://doi.org/10.2307/1354510>
Frow, Edmund, and Ruth Frow, ‘“Ethel Carnie Holdsworth: Writer, Feminist and Socialist”’, in The Rise of Socialist Fiction, 1880-1914 (Brighton: Harvester, 1987), pp. 251–56
Gagnier, Regenia, Subjectivities: A History of Self-Representation in Britain, 1832-1920 (New York: Oxford University Press, 1991) <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=241570>
———, Subjectivities: A History of Self-Representation in Britain, 1832-1920 (New York: Oxford University Press, 1991) <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=241570>
Gilroy, Paul, There Ain’t No Black in the Union Jack: The Cultural Politics of Race and Nation, New ed (London: Routledge, 2002) <https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9780203995075>
Greenwood, Walter, Love on the Dole (London: Penguin, 1933), Penguin twentieth-century classics
Hanley, Lynsey, Estates: An Intimate History (London: Granta, 2007)
———, Respectable: The Experience of Class ([London]: Allen Lane, 2016)
Haraway, Donna, ‘“Fractured Identities”’, in Class (Oxford: Oxford University Press, 1995), Oxford readers, 95–99
Harker, David, Tressell: The Real Story of The Ragged Trousered Philanthropists (London: Zed Books, 2003)
Haywood, Ian and British Council, Working-Class Fiction: From Chartism to Trainspotting (Plymouth: Northcote House in association with the British Council, 1997), Writers and their work
———, Working-Class Fiction: From Chartism to Trainspotting (Plymouth: Northcote House in association with the British Council, 1997), Writers and their work
Hill, John T., Sex, Class and Realism: British Cinema 1956-1963 (London: British Film Institute, 1986), BFI books
Hilliard, Christopher, ‘Producers by Hand and by Brain: Working‐Class Writers and Left‐Wing Publishers in 1930s Britain’, The Journal of Modern History, 78.1 (2006), 37–64 <https://doi.org/10.1086/499794>
———, To Exercise Our Talents: The Democratization of Writing in Britain (Cambridge, Mass: Harvard University Press, 2006), Harvard historical studies <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=3299996>
———, ‘“Working-Class Fiction”’, in The Reinvention of the British and Irish Novel, 1880-1940 (Oxford: Oxford University Press, 2011), Oxford history of the novel in English
Hoggart, Richard, The Uses of Literacy: Aspects of Working-Class Life with Special Reference to Publications and Entertainments (Harmondsworth: Penguin in association with Chatto & Windus, 1958)
Holdsworth, Ethel Carnie, This Slavery (Nottingham: Trent Editions, 1925)
‘Home - Lisa Blower - Author. Academic. Tutor.Lisa Blower – Author. Academic. Tutor.’ <http://www.lisablower.com/>
hooks, bell, Feminist Theory: From Margin to Center, New edition (New York: Routledge, 2015) <https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781317588344>
———, Where We Stand: Class Matters (London: Routledge, 2000)
———, Where We Stand: Class Matters (London: Routledge, 2000) <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=170255>
Howell, David, ‘"The District One Calls Home”: D.H. Lawrence and Coalfield Society’, Socialist History, 38 (2011), 1–22
‘Irvine Welsh Official Website’ <http://www.irvinewelsh.net/>
‘Janice Galloway | Author’ <http://www.janicegalloway.net/>
Jonathan Hyslop, ‘A Ragged Trousered Philanthropist and the Empire: Robert Tressell in South Africa’, History Workshop Journal, 51, 2001, 64–86
Jones, Ben, The Working Class in Mid-Twentieth-Century England: Community, Identity and Social Memory (Manchester: Manchester University Press, 2012) <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=5512436>
Jones, Owen, Chavs: The Demonization of the Working Class (London: Verso, 2012)
———, Chavs: The Demonization of the Working Class (London: Verso, 2012)
Joyce, Patrick, Class (Oxford: Oxford University Press, 1995), Oxford readers
Kalliney, Peter, ‘Cities of Affluence: Masculinity, Class, and the Angry Young Men’, MFS Modern Fiction Studies, 47.1 (2001), 92–117
Kaplan, Cora, ‘“Pandora’s Box: Subjectivity, Class and Sexuality in Socialist Feminist  Criticism”’, in Feminisms: An Anthology of Literary Theory and Criticism, Revised ed (New Brunswick, N.J.: Rutgers University Press, 1997)
‘Karen Woods’ <http://www.karenwoods.net/books.html>
Keating, P.J., Into Unknown England, 1866-1913: Selections from the Social Explorers ([London]: Fontana/Collins, 1976), A Fontana original
———, Working-Class Stories of the 1890s (London: Routledge & Kegan Paul, 1971)
Kelman, James, ‘And the Judges Said’: Essays (London: Vintage, 2003)
Kirk, John, The British Working Class in the Twentieth Century (Cardiff: University of Wales Press, 2009)
Klaus, H. Gustav, ‘“Silhouettes of Revolution: Some Neglected Novels of the Early 1920s”’, in The Socialist Novel in Britain: Towards the Recovery of a Tradition (Brighton: Harvester, 1982), pp. 89–109
———, Tramps, Workmates and Revolutionaries: Working-Class Stories of the 1920s (London: Journeyman, 1992)
Korte, Barbara, and Frédéric Regard, eds., Narrating Poverty and Precarity in Britain (Berlin, [Germany]: Walter de Gruyter GmbH, 2014), Culture&Conflict <http://site.ebrary.com/lib/reading/Doc?id=11014104>
Laing, Stuart, Representations of Working-Class Life 1957-1964 (Basingstoke: Macmillan, 1986)
Lawrence, D. H., ‘“Getting On”’, in Late Essays and Articles (Cambridge: Cambridge University Press, 2004), Cambridge edition of the letters and works of D.H. Lawrence, 25–32
———, ‘“The Odour of Chrysanthemums”’, in The Collected Short Stories (London: Heinemann, 1911), The Phoenix edition of D.H. Lawrence, 283–302
———, ‘“Which Class I Belong To”’, in Late Essays and Articles (Cambridge: Cambridge University Press, 2004), Cambridge edition of the letters and works of D.H. Lawrence, 33–40
Lourde, Audre, ‘“Age, Race, Class and Sex: Women Redefining Difference”’, in Sister Outsider: Essays and Speeches (Trumansburg, NY: Crossing Press, 1984), The Crossing Press feminist series, 114–23
Lovell, Terry, ‘“Landscape and Stories in 1960s British Realism”’, in Dissolving Views: Key Writings on British Cinema (London: Cassell, 1996), Rethinking British cinema
Lucas, John, The Radical Twenties: Writing, Politics, and Culture (New Brunswick, N.J.: Rutgers University Press, 1999)
Mayhew, Henry, and Victor E. Neuburg, London Labour and the London Poor (London: Penguin Books, 1985)
McLeod, John, Postcolonial London: Rewriting the Metropolis (London: Routledge, 2004)
———, Postcolonial London: Rewriting the Metropolis (London: Routledge, 2004) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=5319>
Michelucci, Stefania, Space and Place in the Works of D.H. Lawrence (Jefferson, N.C.: McFarland, 2002)
Monaghan, Nicola, The Killing Jar (London: Vintage Books, 2007)
‘Odour of Chrysanthemums, a Text in Process’ (The University of Nottingham) <http://odour.nottingham.ac.uk/>
‘Online Reading Lists: A Guide for Students’ (University of Reading Library) <http://libguides.reading.ac.uk/reading-lists/students>
Orwell, George, The Road to Wigan Pier (London: Penguin Books in association with Martin Secker & Warburg, 2001), Penguin classics
‘Palatable Socialism or “The Real Thing”? Walter Greenwoods Love on the Dole’, Literature & History, 17.2 (2008), 47–61 <https://doi.org/10.7227/LH.17.2.4>
Piketty, Thomas, and Arthur Goldhammer, Capital in the Twenty-First Century (Cambridge Massachusetts: The Belknap Press of Harvard University Press, 2014) <http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&AN=663460>
Probyn, Elspeth, Sexing the Self: Gendered Positions in Cultural Studies (London: Routledge, 1993)
Procter, James Richard, Dwelling Places: Postwar Black British Writing (Manchester: Manchester University Press, 2003)
Reeves, Pember, Round about a Pound a Week (London: Virago, 1979), Virago reprint library
Ritchie, Harry, Success Stories: Literature and the Media in England, 1950-1959 (London: Faber, 1988)
Rivkin, Julie, and Michael Ryan, ‘“Introduction: Starting with Zero”’, in Literary Theory: An Anthology, 2nd ed (Malden, Mass: Blackwell, 2004), pp. 643–46
Russo, John, and Sherry Lee Linkon, New Working-Class Studies (Ithaca, N.Y.: ILR Press, 2005)
Savage, M., F. Devine, N. Cunningham, M. Taylor, Y. Li, J. Hjellbrekke, and others, ‘A New Model of Social Class? Findings from the BBC’s Great British Class Survey Experiment’, Sociology, 47.2 (2013), 219–50
Sillitoe, Alan, Saturday Night and Sunday Morning, 50th anniversary ed (London: Harper Perennial, 1958), Harper Perennial modern classics
Skeggs, Beverley, Formations of Class and Gender: Becoming Respectable (London: Sage, 1997), Theory, culture&society <https://go.openathens.net/redirector/reading.ac.uk?url=https://sk.sagepub.com/books/formations-of-class-and-gender>
Smalley, Roger, Breaking the Bonds of Capitalism: The Political Vision of a Lancashire Mill Girl : Ethel Carnie Holdsworth (1886-1962) (Lancaster: Regional Heritage Centre, Lancaster University, 2014), Occasional paper / University of Lancaster. Centre for North-West Regional Studies
Stanley, Liz, The Auto/Biographical I: The Theory and Practice of Feminist Auto/Biography (Manchester: Manchester University Press, 1992)
Steedman, Carolyn, ‘“Stories” from Landscape for a Good Woman (1986)’, in Landscape for a Good Woman (London: Virago, 1986), pp. 1–24
Stephanie Lawler, ‘Introduction: Class, Culture and Identity’, Sociology, 39.5 (2005), 797–806
Stephen Ross, ‘Authenticity Betrayed: The “Idiotic Folk” of “Love on the Dole”’, Cultural Critique, 56, 2004, 189–209
Taylor, John Russell, Anger and after: A Guide to the New British Drama, 2nd ed (London: Eyre Methuen, 1977)
Tirado, Linda, ‘This Is Why Poor People’s Bad Decisions Make Perfect Sense’, 2013 <http://www.huffingtonpost.com/linda-tirado/why-poor-peoples-bad-decisions-make-perfect-sense_b_4326233.html>
Todd, Selina, The People: The Rise and Fall of the Working Class, 1910-2010 (London: John Murray, 2014)
Tressell, Robert, The Ragged Trousered Philanthropists (London: Lawrence & Wishart, 1914)
‘TRTP Manuscript: TUC History Online’ <http://www.unionhistory.info/ragged/browse.php?Page=1&amp;Book=The+Ragged+Trousered+Philanthropists>
Tyler, Imogen, ‘Chav Mum Chav Scum’, Feminist Media Studies, 8.1 (2008), 17–34
Umeh, Marie, Emerging Perspectives on Buchi Emecheta (Trenton, N.J.: Africa World Press, 1996)
University of Reading Library, ‘An Introduction to Your Online Reading Lists’ <https://www.youtube.com/watch?v=Pu6TKAXic2o>
Van Emden, Joan, and Lucinda Maria Becker, Presentation Skills for Students, 2nd ed (Basingstoke: Palgrave Macmillan, 2010), Palgrave study skills
Vincent, David, David Mayall, and John Burnett, The Autobiography of the Working Class: An Annotated, Critical Bibliography (Brighton: Harvester, 1984)
de Waal, Kit, ‘Whatever Happened to Working-Class Writers? (From Herald Scotland)’ <http://m.heraldscotland.com/opinion/14638710.Whatever_happened_to_working_class_writers_/>
Walkerdine, Valerie, and Helen Lucey, Democracy in the Kitchen: Regulating Mothers and Socialising Daughters (London: Virago, 1989)
Wandor, Michelene, Look Back in Gender: Sexuality and the Family in Post-War British Drama (London: Methuen, 1987)
Ward, Cynthia, ‘What They Told Buchi Emecheta: Oral Subjectivity and the Joys of “Otherhood”’, PMLA, 105.1 (1990)
Webster, Wendy, Imagining Home: Gender, ‘Race,’ and National Identity, 1945-64 (London: Routledge, 1998), Women’s history
‘Welcome to Mass Observation Online’ <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.massobservation.amdigital.co.uk/>
‘“Where Are the Brown People?”: Authors Slam Lack of Diversity in UK Publishing | Books | The Guardian’ <http://www.theguardian.com/books/2015/nov/30/authors-slam-lack-diversity-in-uk-publishing-nikesh-shukla-jon-mcgregor>
Williams, Linda Ruth, D.H. Lawrence (Plymouth: Northcote House in association with the British Council, 1997), Writers and their work
Williams, Raymond, ‘“Class”’, in Keywords: A Vocabulary of Culture and Society, New edition (Oxford: Oxford University Press, 2015) <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=679632>
———, ‘“Culture Is Ordinary”’, in The Raymond Williams Reader (Oxford: Blackwell Publishers, 2001), Blackwell readers
———, ‘“The Country and the City”’, in Literary Theory: An Anthology, 2nd ed (Malden, Mass: Blackwell, 2004), pp. 508–32 <https://ebookcentral.proquest.com/lib/reading/detail.action?docID=4792586>
———, ‘'The Ragged-Arsed Philanthropists’’, in The Robert Tressell Lectures, 1981-88 (Rochester: WEA, 1988), pp. 19–33
———, ‘'The Ragged-Arsed Philanthropists’’, in The Robert Tressell Lectures, 1981-88 (Rochester: WEA, 1988), pp. 19–33
Wilson, Nicola, Home in British Working-Class Fiction (Farnham, Surrey: Ashgate Publishing Company, 2015) <https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315586991>
———, ‘‘Politicising the Home in Ethel Carnie Holdsworth’s This Slavery (1925) and Ellen Wilkinson’s Clash (1929)’’, Key Words: A Journal of Cultural Materialism, 5 (2007), 26–42
———, ‘Reproducing the Home in Robert Tressell’s The Ragged Trousered Philanthropists and D.H. Lawrence’s Sons and Lovers’, Home Cultures, 2.3 (2005), 299–314
Woolf, Virginia, and Margaret Llewelyn Davies, Life as We Have Known It (London: Virago, 1977)
Worpole, Ken, Dockers and Detectives: Popular Reading, Popular Writing (London: Verso, 1983)
Worthen, John, D.H. Lawrence: The Early Years, 1885-1912 (Cambridge: Cambridge University Press, 1991), The Cambridge biography
Worthern, John, ‘‘D. H. Lawrence and the "Expensive Editions Business”’’, in Modernist Writers and the Marketplace (Basingstoke: Macmillan, 1996), pp. 105–23
Wright, Erik Olin, Understanding Class (London: Verso, 2015)
‘Writing Lives: A Collaborative Research Project on Working-Class Autobiography’ <http://archive.is/cowRw>
‘———’ <http://archive.is/cowRw>