Bibliography for FTMFF: Film Programming and Film Festivals BETA

‘A Week in the Life of Ana Santos’. Time Out London, n.d. http://www.timeout.com/london/week-in-the-life-ana.

Bagh, Peter von. ‘To Program Is to Write Film History’. LOLA, no. 6 (2015). http://www.lolajournal.com/6/program.html.

Bazin, Andre. ‘The Festival Viewed as a Religious Order’. In On Film Festivals, edited by Richard Porton, Dekalog:13–19. London: Wallflower, 2009.

Bosma, Peter. ‘Chapter 3. The Network of Intermediaries’. In Film Programming: Curating for Cinemas, Festivals, Archives, Vol. Short cuts series. New York: Wallflower, an imprint of Columbia University Press, 2015. http://reading.eblib.com/patron/FullRecord.aspx?p=1974611.

———. ‘Chapter 4. Curating Film Theatres’. In Film Programming: Curating for Cinemas, Festivals, Archives, 51–67. Wallflower Press, 2015. http://reading.eblib.com/patron/FullRecord.aspx?p=1974611.

Casetti, Francesco. ‘Cinema Lost and Found: Trajectories of Relocation’. Screening the Past, n.d. http://www.screeningthepast.com/2011/11/cinema-lost-and-found-trajectories-of-relocation/.

Chan, F. ‘The International Film Festival and the Making of a National Cinema’. Screen 52, no. 2 (1 June 2011): 253–60. https://doi.org/10.1093/screen/hjr012.

Conway, Kyle. ‘Small Media, Global Media: Kino and the Microcinema Movement’. Journal of Film and Video 60, no. 3–4 (2008): 60–71.

Cox, David. ‘Building Community through Microcinema: Other Cinema and Me’. Incite, no. 4: Exhibtion Guide (2013). http://www.incite-online.net/cox4.html.

Crary, Jonathan. 24/7: Late Capitalism and the Ends of Sleep. London: Verso, 2014.

Edited by Daisuke Miyao. ‘Yamagata–Asia–Europe: The International Film Festival Short Circuit’. In The Oxford Handbook of Japanese Cinema, n.d. http://www.oxfordhandbooks.com.idpproxy.reading.ac.uk/view/10.1093/oxfordhb/9780199731664.001.0001/oxfordhb-9780199731664-e-018.

Elton, Zoe. ‘24 Hours @ 24FPS: A Programme Director’s Day’. In Coming Soon to a Festival near You: Programming Film Festivals, 117–34. Scotland: St Andrews Film Studies, 2012.

Gass, Lars Henrik. ‘Compiling a Selection of Films Is Not an Artistic Strategy, It Brings Such a Strategy to Light’. ONCURATING, no. 23: The Future of Short Film (n.d.). http://www.on-curating.org/issue-23-reader/compiling-a-selection-of-films-is-not-an-artistic-strategy-it-brings-such-a-strategy-to-light-by-lars-henrik-gass.html#.WBjE4rVQVo4.

Gass, Lars Henrik, Maike Mia, Jukka-Pekka, Laurence, and Peter. ‘The Future of Short Films - A Debriefing of a Panel Discussion Interview Part 1 - ONCURATING’, n.d. http://www.on-curating.org/issue-23-reader/the-future-of-short-films-a-debriefing-of-a-panel-discussion-interview-part-1-with-lars-henrik-gass-maike-mia-hoehne-jukka-pekka.html#.WBxxVLXNho4.

Gass, Lars Henrik, Maike Mia, Jukka-Pekka Laakso, Laurence Reymond, and Peter. ‘Curatorial Practices: Interview Part 3 - ONCURATING’, n.d. http://www.on-curating.org/issue-23-reader/curatorial-practices-interview-part-3.html#.WByNo7XNhsM.

———. ‘Hybrid Films: Interview Part 2 - ONCURATING’, n.d. http://www.on-curating.org/issue-23-reader/hybrid-films-interview-part-2.html#.WBxyErXNho4.

LIZ CZACH. ‘FILM FESTIVALS, PROGRAMMING, AND THE BUILDING OF A NATIONAL CINEMA’. The Moving Image: The Journal of the Association of Moving Image Archivists 4, no. 1 (2004): 76–88. http://www.jstor.org.idpproxy.reading.ac.uk/stable/41167149?seq=1#page_scan_tab_contents.

MARKS, LAURA U. ‘THE ETHICAL PRESENTER: Or How to Have Good Arguments over Dinner’. The Moving Image: The Journal of the Association of Moving Image Archivists 4, no. 1 (2004): 34–47.

Nichols, Bill. ‘Global Image Consumption in the Age of Late Capitalism’. East-West Film Journal 8, no. 1 (1994): 64–85. https://scholarspace.manoa.hawaii.edu/handle/10125/30705.

Nornes, Abé Mark. ‘Midnight Eye Feature: Nippon Connection’s Anti-Canon’, 13 September 2006. http://www.midnighteye.com/features/nippon-connections-anti-canon/.

Peranson, Mark. ‘First You Get the Power, Then You Get the Money: Two Models of Film Festivals’. In On Film Festivals, edited by Richard Porton, Dekalog:23–37. London: Wallflower, 2009.

Robinson, David. ‘Travels with Mrs Kawakita’. Sight and Sound 56, no. 4 (n.d.). http://search.proquest.com.idpproxy.reading.ac.uk/docview/1305505614/B9FC15B283584B7APQ/15?accountid=13460.

Schaub, Joseph Christopher. ‘Microcinemania: The Mansion Theater and Underground Movie Making in Baltimore, Maryland, USA’. Link: A Critical Journal on the Arts, no. 2 (1997): 105–19.

Sharp, Jasper. ‘The Life & Death of the Film Festival?’, n.d. http://blog.alltheanime.com/the-life-death-of-the-film-festival/.

Stringer, Julian. ‘Film Festivals in Asia: Notes on History, Geography, and Power from a Distance’. In Film Festivals: History, Theory, Method, Practice, edited by Marijke de Valck, Brendan Kredell, and Skadi Loist, 34–48. Abingdon, Oxon: Routledge, 2016. http://idpproxy.reading.ac.uk/login?url=http://www.tandfebooks.com/isbn/9781315637167.

———. ‘Global Cities and the International Film Festival Economy’. In Cinema and the City: Film and Urban Societies in a Global Context, Studies in urban and social change:134–44. Oxford: Blackwell, 2001.

Taillibert, Christel, and John Wäfler. ‘Groundwork for a (Pre)History of Film Festivals’. New Review of Film and Television Studies 14, no. 1 (2016): 5–21.

Tryon, Chuck. ‘Chapter 8. Reinventing Festivals: Curation, Distribution, and the Creation of Global Cinephilia’. In On-Demand Culture: Digital Delivery and the Future of Movies, 155–72. New Brunswick, N.J.: Rutgers University Press, 2013. https://ebookcentral.proquest.com/lib/reading/reader.action?docID=1184490&ppg=162.

Valck, Marijke de. ‘Chapter 4. Rotterdam and the Rise of Thematic Festivals: From Cinephile Initiatives to Popular Events’. In Film Festivals: From European Geopolitics to Global Cinephilia, Vol. Film culture in transition. Amsterdam: Amsterdam University Press, 2007. http://site.ebrary.com/lib/reading/Doc?id=10302755.

———. ‘Supporting Art Cinema at a Time of Commercialization: Principles and Practices, the Case of the International Film Festival Rotterdam’. Poetics 42 (February 2014): 40–59. https://doi.org/10.1016/j.poetic.2013.11.004.

Ville, Donna de. ‘The Persistent Transience of Microcinema (in the United States and Canada)’. Film History 27, no. 3 (2015): 104–36.

Wong, Cindy H. ‘Chapter 1. History, Structure and Practice in the Festival World’. In Film Festivals: Culture, People, and Power on the Global Screen. New Brunswick, N.J.: Rutgers University Press, 2011. http://ebookcentral.proquest.com/lib/reading/detail.action?docID=858958.

———. ‘Chapter 2. The Films of the Festivals’. In Film Festivals: Culture, People, and Power on the Global Screen, 65–99. New Brunswick, N.J.: Rutgers University Press, 2011. http://ebookcentral.proquest.com/lib/reading/detail.action?docID=858958.

Yue, Genevieve. ‘A View From a Booth’. Metrograph Edition, 1 March 2016. http://metrograph.com/edition/article/11/a-view-from-a-booth.

Zahlten, Alexander. ‘Meta-, Hyper-, Inter-, Super-, Anime, World Creation, and the Role of Film Festivals’. Imaginary Japan: Japanese Fantasy in Contemporary Popular Culture, 2010, 20–25. http://iipc.utu.fi/imaginaryjapan/Zahlten.pdf.