Bibliography for FTMFF: Film Programming and Film Festivals BETA

A week in the life of Ana Santos (no date). Time Out London. Available at: http://www.timeout.com/london/week-in-the-life-ana.

von Bagh, P. (2015) ‘To Program is to Write Film History’, LOLA [Preprint], (6). Available at: http://www.lolajournal.com/6/program.html.

Bazin, A. (2009) ‘The Festival Viewed as a Religious Order’, in R. Porton (ed.) On film festivals. London: Wallflower, pp. 13–19.

Bosma, P. (2015a) ‘Chapter 3. The Network of Intermediaries’, in Film programming: curating for cinemas, festivals, archives. New York: Wallflower, an imprint of Columbia University Press. Available at: http://reading.eblib.com/patron/FullRecord.aspx?p=1974611.

Bosma, P. (2015b) ‘Chapter 4. Curating Film Theatres’, in Film Programming: Curating for Cinemas, Festivals, Archives. Wallflower Press, pp. 51–67. Available at: http://reading.eblib.com/patron/FullRecord.aspx?p=1974611.

Casetti, F. (no date) Cinema Lost and Found: Trajectories of Relocation, Screening the Past. Available at: http://www.screeningthepast.com/2011/11/cinema-lost-and-found-trajectories-of-relocation/.

Chan, F. (2011) ‘The international film festival and the making of a national cinema’, Screen, 52(2), pp. 253–260. Available at: https://doi.org/10.1093/screen/hjr012.

Conway, K. (2008) ‘Small Media, Global Media: Kino and the Microcinema Movement’, Journal of Film and Video, 60(3–4), pp. 60–71.

Cox, D. (2013) ‘Building Community through Microcinema: Other Cinema and Me’, Incite [Preprint], (4: Exhibtion Guide). Available at: http://www.incite-online.net/cox4.html.

Crary, J. (2014) 24/7: late capitalism and the ends of sleep. London: Verso.

Edited by Daisuke Miyao (no date) ‘Yamagata–Asia–Europe: The International Film Festival Short Circuit’, in The Oxford Handbook of Japanese Cinema. Available at: http://www.oxfordhandbooks.com.idpproxy.reading.ac.uk/view/10.1093/oxfordhb/9780199731664.001.0001/oxfordhb-9780199731664-e-018.

Elton, Z. (2012) ‘24 Hours @ 24FPS: A Programme Director’s Day’, in Coming soon to a festival near you: programming film festivals. Scotland: St Andrews Film Studies, pp. 117–134.

Gass, L.H. (no date) ‘Compiling a Selection of Films is not an Artistic Strategy, it Brings Such a Strategy to Light’, ONCURATING [Preprint], (23: The Future of Short Film). Available at: http://www.on-curating.org/issue-23-reader/compiling-a-selection-of-films-is-not-an-artistic-strategy-it-brings-such-a-strategy-to-light-by-lars-henrik-gass.html#.WBjE4rVQVo4.

Gass, L.H., Maike Mia, Jukka-Pekka, Laurence and Peter (no date) The Future of Short Films - A Debriefing of a Panel Discussion Interview Part 1 - ONCURATING. Available at: http://www.on-curating.org/issue-23-reader/the-future-of-short-films-a-debriefing-of-a-panel-discussion-interview-part-1-with-lars-henrik-gass-maike-mia-hoehne-jukka-pekka.html#.WBxxVLXNho4.

Gass, L.H., Maike Mia, Laakso, J.-P., Reymond, L. and Peter (no date a) Curatorial Practices: Interview Part 3 - ONCURATING. Available at: http://www.on-curating.org/issue-23-reader/curatorial-practices-interview-part-3.html#.WByNo7XNhsM.

Gass, L.H., Maike Mia, Laakso, J.-P., Reymond, L. and Peter (no date b) Hybrid Films: Interview Part 2 - ONCURATING. Available at: http://www.on-curating.org/issue-23-reader/hybrid-films-interview-part-2.html#.WBxyErXNho4.

LIZ CZACH (2004) ‘FILM FESTIVALS, PROGRAMMING, AND THE BUILDING OF A NATIONAL CINEMA’, The Moving Image: The Journal of the Association of Moving Image Archivists, 4(1), pp. 76–88. Available at: http://www.jstor.org.idpproxy.reading.ac.uk/stable/41167149?seq=1#page_scan_tab_contents.

MARKS, L.U. (2004) ‘THE ETHICAL PRESENTER: Or How to Have Good Arguments over Dinner’, The Moving Image: The Journal of the Association of Moving Image Archivists, 4(1), pp. 34–47.

Nichols, B. (1994) ‘Global Image Consumption in the Age of Late Capitalism’, East-West film journal, 8(1), pp. 64–85. Available at: https://scholarspace.manoa.hawaii.edu/handle/10125/30705.

Nornes, A.M. (2006) Midnight Eye feature: Nippon Connection’s Anti-Canon. Available at: http://www.midnighteye.com/features/nippon-connections-anti-canon/.

Peranson, M. (2009) ‘First You Get the Power, Then You Get the Money: Two Models of Film Festivals’, in R. Porton (ed.) On film festivals. London: Wallflower, pp. 23–37.

Robinson, David (no date) ‘Travels with Mrs Kawakita’, Sight and Sound, 56(4). Available at: http://search.proquest.com.idpproxy.reading.ac.uk/docview/1305505614/B9FC15B283584B7APQ/15?accountid=13460.

Schaub, J.C. (1997) ‘Microcinemania: the Mansion Theater and underground movie making in Baltimore, Maryland, USA’, Link: A Critical Journal on the Arts, (2), pp. 105–119.

Sharp, J. (no date) The Life & Death of the Film Festival? Available at: http://blog.alltheanime.com/the-life-death-of-the-film-festival/.

Stringer, J. (2001) ‘Global Cities and the International Film Festival Economy’, in Cinema and the city: film and urban societies in a global context. Oxford: Blackwell, pp. 134–144.

Stringer, J. (2016) ‘Film Festivals in Asia: notes on history, geography, and power from a distance’, in M. de Valck, B. Kredell, and S. Loist (eds) Film festivals: history, theory, method, practice. Abingdon, Oxon: Routledge, pp. 34–48. Available at: http://idpproxy.reading.ac.uk/login?url=http://www.tandfebooks.com/isbn/9781315637167.

Taillibert, C. and Wäfler, J. (2016) ‘Groundwork for a (pre)history of film festivals’, New Review of Film and Television Studies, 14(1), pp. 5–21.

Tryon, C. (2013) ‘Chapter 8. Reinventing Festivals: Curation, Distribution, and the Creation of Global Cinephilia’, in On-demand culture: digital delivery and the future of movies. New Brunswick, N.J.: Rutgers University Press, pp. 155–172. Available at: https://ebookcentral.proquest.com/lib/reading/reader.action?docID=1184490&ppg=162.

de Valck, M. (2007) ‘Chapter 4. Rotterdam and the Rise of Thematic Festivals: From Cinephile Initiatives to Popular Events’, in Film festivals: from European geopolitics to global cinephilia. Amsterdam: Amsterdam University Press. Available at: http://site.ebrary.com/lib/reading/Doc?id=10302755.

de Valck, M. (2014) ‘Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam’, Poetics, 42, pp. 40–59. Available at: https://doi.org/10.1016/j.poetic.2013.11.004.

de Ville, D. (2015) ‘The Persistent Transience of Microcinema (in the United States and Canada)’, Film History, 27(3), pp. 104–136.

Wong, C.H. (2011a) ‘Chapter 1. History, Structure and Practice in the Festival World’, in Film festivals: culture, people, and power on the global screen. New Brunswick, N.J.: Rutgers University Press. Available at: http://ebookcentral.proquest.com/lib/reading/detail.action?docID=858958.

Wong, C.H. (2011b) ‘Chapter 2. The Films of the Festivals’, in Film festivals: culture, people, and power on the global screen. New Brunswick, N.J.: Rutgers University Press, pp. 65–99. Available at: http://ebookcentral.proquest.com/lib/reading/detail.action?docID=858958.

Yue, G. (2016) A View From a Booth, Metrograph Edition. Available at: http://metrograph.com/edition/article/11/a-view-from-a-booth.

Zahlten, A. (2010) ‘Meta-, Hyper-, Inter-, Super-, Anime, World Creation, and the Role of Film Festivals’, Imaginary Japan: Japanese Fantasy in Contemporary Popular Culture, pp. 20–25. Available at: http://iipc.utu.fi/imaginaryjapan/Zahlten.pdf.