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Bosma, Peter, ‘Chapter 3. The Network of Intermediaries’, in Film Programming: Curating for Cinemas, Festivals, Archives (New York: Wallflower, an imprint of Columbia University Press, 2015), Short cuts series <http://reading.eblib.com/patron/FullRecord.aspx?p=1974611>
———, ‘Chapter 4. Curating Film Theatres’, in Film Programming: Curating for Cinemas, Festivals, Archives (Wallflower Press, 2015), pp. 51–67 <http://reading.eblib.com/patron/FullRecord.aspx?p=1974611>
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MARKS, LAURA U., ‘THE ETHICAL PRESENTER: Or How to Have Good Arguments over Dinner’, The Moving Image: The Journal of the Association of Moving Image Archivists, 4.1 (2004), 34–47
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Tryon, Chuck, ‘Chapter 8. Reinventing Festivals: Curation, Distribution, and the Creation of Global Cinephilia’, in On-Demand Culture: Digital Delivery and the Future of Movies (New Brunswick, N.J.: Rutgers University Press, 2013), pp. 155–72 <https://ebookcentral.proquest.com/lib/reading/reader.action?docID=1184490&amp;ppg=162>
de Valck, Marijke, ‘Chapter 4. Rotterdam and the Rise of Thematic Festivals: From Cinephile Initiatives to Popular Events’, in Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam: Amsterdam University Press, 2007), Film culture in transition <http://site.ebrary.com/lib/reading/Doc?id=10302755>
———, ‘Supporting Art Cinema at a Time of Commercialization: Principles and Practices, the Case of the International Film Festival Rotterdam’, Poetics, 42 (2014), 40–59 <https://doi.org/10.1016/j.poetic.2013.11.004>
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———, ‘Chapter 2. The Films of the Festivals’, in Film Festivals: Culture, People, and Power on the Global Screen (New Brunswick, N.J.: Rutgers University Press, 2011), pp. 65–99 <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=858958>
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