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———. 2015b. ‘Chapter 4. Curating Film Theatres’, in Film Programming: Curating for Cinemas, Festivals, Archives (Wallflower Press), pp. 51–67 <http://reading.eblib.com/patron/FullRecord.aspx?p=1974611>
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Gass, Lars Henrik, Maike Mia, Jukka-Pekka, Laurence, and Peter. [n.d.-a]. ‘The Future of Short Films - A Debriefing of a Panel Discussion Interview Part 1 - ONCURATING’ <http://www.on-curating.org/issue-23-reader/the-future-of-short-films-a-debriefing-of-a-panel-discussion-interview-part-1-with-lars-henrik-gass-maike-mia-hoehne-jukka-pekka.html#.WBxxVLXNho4>
Gass, Lars Henrik, Maike Mia, Jukka-Pekka Laakso, Laurence Reymond, and Peter. [n.d.-b]. ‘Curatorial Practices: Interview Part 3 - ONCURATING’ <http://www.on-curating.org/issue-23-reader/curatorial-practices-interview-part-3.html#.WByNo7XNhsM>
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LIZ CZACH. 2004. ‘FILM FESTIVALS, PROGRAMMING, AND THE BUILDING OF A NATIONAL CINEMA’, The Moving Image: The Journal of the Association of Moving Image Archivists, 4.1 (University of Minnesota PressUniversity of Minnesota Press): 76–88 <http://www.jstor.org.idpproxy.reading.ac.uk/stable/41167149?seq=1#page_scan_tab_contents>
MARKS, LAURA U. 2004. ‘THE ETHICAL PRESENTER: Or How to Have Good Arguments over Dinner’, The Moving Image: The Journal of the Association of Moving Image Archivists, 4.1 (University of Minnesota Press): 34–47
Nichols, Bill. 1994. ‘Global Image Consumption in the Age of Late Capitalism’, East-West Film Journal, 8.1 (Honolulu: Institute of Culture and Communication, East-West Center): 64–85 <https://scholarspace.manoa.hawaii.edu/handle/10125/30705>
Nornes, Abé Mark. 2006. ‘Midnight Eye Feature: Nippon Connection’s Anti-Canon’ <http://www.midnighteye.com/features/nippon-connections-anti-canon/>
Peranson, Mark. 2009. ‘First You Get the Power, Then You Get the Money: Two Models of Film Festivals’, in On Film Festivals, ed. by Richard Porton (London: Wallflower), pp. 23–37
Robinson, David. [n.d.]. ‘Travels with Mrs Kawakita’, Sight and Sound, 56.4 <http://search.proquest.com.idpproxy.reading.ac.uk/docview/1305505614/B9FC15B283584B7APQ/15?accountid=13460>
Schaub, Joseph Christopher. 1997. ‘Microcinemania: The Mansion Theater and Underground Movie Making in Baltimore, Maryland, USA’, Link: A Critical Journal on the Arts: 105–19
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Stringer, Julian. 2001. ‘Global Cities and the International Film Festival Economy’, in Cinema and the City: Film and Urban Societies in a Global Context (Oxford: Blackwell), pp. 134–44
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Taillibert, Christel, and John Wäfler. 2016. ‘Groundwork for a (Pre)History of Film Festivals’, New Review of Film and Television Studies, 14.1 (Taylor & Francis): 5–21
Tryon, Chuck. 2013. ‘Chapter 8. Reinventing Festivals: Curation, Distribution, and the Creation of Global Cinephilia’, in On-Demand Culture: Digital Delivery and the Future of Movies (New Brunswick, N.J.: Rutgers University Press), pp. 155–72 <https://ebookcentral.proquest.com/lib/reading/reader.action?docID=1184490&ppg=162>
de Valck, Marijke. 2007. ‘Chapter 4. Rotterdam and the Rise of Thematic Festivals: From Cinephile Initiatives to Popular Events’, in Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam: Amsterdam University Press) <http://site.ebrary.com/lib/reading/Doc?id=10302755>
———. 2014. ‘Supporting Art Cinema at a Time of Commercialization: Principles and Practices, the Case of the International Film Festival Rotterdam’, Poetics, 42: 40–59 <https://doi.org/10.1016/j.poetic.2013.11.004>
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Wong, Cindy H. 2011a. ‘Chapter 1. History, Structure and Practice in the Festival World’, in Film Festivals: Culture, People, and Power on the Global Screen (New Brunswick, N.J.: Rutgers University Press) <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=858958>
———. 2011b. ‘Chapter 2. The Films of the Festivals’, in Film Festivals: Culture, People, and Power on the Global Screen (New Brunswick, N.J.: Rutgers University Press), pp. 65–99 <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=858958>
Yue, Genevieve. 2016. ‘A View From a Booth’, Metrograph Edition <http://metrograph.com/edition/article/11/a-view-from-a-booth>
Zahlten, Alexander. 2010. ‘Meta-, Hyper-, Inter-, Super-, Anime, World Creation, and the Role of Film Festivals’, Imaginary Japan: Japanese Fantasy in Contemporary Popular Culture (International Institute for Popular Culture: Publication Series 3): 20–25 <http://iipc.utu.fi/imaginaryjapan/Zahlten.pdf>
