Ackerman, A. L., & Puchner, M. (2006). Against theatre: creative destructions on the modernist stage: Vol. Performance interventions. Palgrave Macmillan.
Artaud, A. (1970). The theatre and its double: essays: Vol. Signature series. Calder & Boyars.
Aston, E. (1995). An introduction to feminism and theatre. Routledge.
Aston, E., & Diamond, E. (2009). The Cambridge Companion to Caryl Churchill: Vol. Cambridge Companions to Literature [Electronic resource]. Cambridge University Press. http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222
Balakian, A. & International Comparative Literature Association. (1982). The Symbolist movement in the literature of European languages: Vol. A Comparative history of literatures in European languages =. Akademiai Kiado.
Barnett, David. (n.d.). When is a Play not a Drama? Two Examples of Postdramatic Theatre Texts. New Theatre Quarterly, 24(1), 14–23. http://search.proquest.com/docview/2119576?accountid=13460
Bassnett, S. (1983). Luigi Pirandello: Vol. Grove Press modern dramatists. Grove Press.
Berghaus, G. (2005). Theatre, performance, and the historical avant-garde: Vol. Palgrave studies in theatre and performance history. Palgrave Macmillan.
Billington, Michael. (2016). Escaped Alone review -- Caryl Churchill’s wry chit-chat cradles catastrophe. The Guardian.
Brecht, B. (1986). Life of Galileo (Student Edition). In Life of Galileo (Methuen Drama student ed). Methuen. https://doi.org/10.5040/9781408162880.00000033
Brecht, B., Willett, J., & Davis, J. (2015). Brecht on theatre (3rd ed). Bloomsbury.
Buckley, J. (1 C.E.). LONG ‘LIVE’ THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals. Theater (New Haven, Conn.), 46, 35–53. http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US
Campbell, P. (2004). The body in performance: Vol. v. 10, pt. 3. RoutledgeFalmer. https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315079974
Cardullo, B., & Knopf, R. (2001). Theater of the avant-garde, 1890-1950: a critical anthology. Yale University Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&db=nlabk&AN=187985
Case, S.-E. (2014). Feminism and theatre. Routledge. http://reading.eblib.com/patron/FullRecord.aspx?p=1779149
Churchill, C. (2016). Escaped alone. Bloomsbury. http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.5040/9781784603595.00000002
Climenhaga, R. (2009). Pina Bausch. Routledge. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=190018
Climenhaga, R. (2013). The Pina Bausch sourcebook: the making of Tanztheater. Routledge. http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027
Cody, G. H. (2000). Impossible performances: Duras as dramatist: Vol. Literature and the visual arts. Peter Lang.
Cohen, S. D. (1993). Women and discourse in the fiction of Marguerite Duras: love, legends, language. Macmillan.
Counsell, C. (1996). Signs of performance: an introduction to twentieth-century theatre. Routledge. http://reading.eblib.com/patron/FullRecord.aspx?p=1474664
Craig, S. (1980). Dreams and deconstructions: alternative theatre in Britain. Amber Lane Press.
Deak, F. (1993). Symbolist theater: the formation of an avant-garde. Johns Hopkins University Press.
Diamond, E. (1997). Unmaking mimesis: essays on feminism and theater. Routledge.
Duras, M., & Bray, B. (1992). Four plays. Oberon.
Etchells, T. (1999). Certain fragments: contemporary performance and forced entertainment. Routledge. http://site.ebrary.com/lib/reading/Doc?id=10054916
Fernandes, C. (2002). Pina Bausch and the Wuppertal Dance Theater: the aesthetics of repetition and transformation: Vol. New studies in aesthetics. Peter Lang.
‘First Night’ Programme Note by Tim Etchells | Forced Entertainment. (n.d.). http://www.forcedentertainment.com/notebook-entry/first-night-programme-note-by-tim-etchells/
Florêncio, J. (2015). Enmeshed bodies, impossible touch. Performance Research, 20(2), 53–59. https://doi.org/10.1080/13528165.2015.1026719
Fortier, M. (2002a). Theory/theatre: an introduction (2nd ed). Routledge.
Fortier, M. (2002b). Theory/theatre: an introduction (2nd ed). Routledge. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=11120
Gale, M. B., & Deeney, J. F. (2010a). The Routledge drama anthology and sourcebook: from modernism to contemporary performance. Routledge. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989
Gale, M. B., & Deeney, J. F. (2010b). The Routledge drama anthology and sourcebook: from modernism to contemporary performance. Routledge. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989
Gale, M. B., & Deeney, J. F. (2010c). The Routledge drama anthology and sourcebook: from modernism to contemporary performance. Routledge. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989
Genet, J., & Frechtman, B. (1963). The Maids. Faber.
Innes, C. D. (1993). Avant garde theatre. Routledge. http://site.ebrary.com/lib/reading/Doc?id=10100164
Itzin, C. (1980). Stages in the revolution: political theatre in Britain since 1968. Eyre Methuen.
Jameson, F. (2000). Brecht and method. Verso.
Journey, E. (1 C.E.). Frank Wedekind’s Spring Awakening and the Tragedy of Adolescence. Theatre Symposium, 23, 20–138. http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Frank+Wedekind%27s+Spring+Awakening+and+the+Tragedy+of+Adolescence&rft.jtitle=Theatre+Symposium%3A+A+Journal+of+the+Southeastern+Theatre+Conference&rft.au=Journey%2C+Edward&rft.date=2015-01-01&rft.pub=University+of+Alabama+Press&rft.issn=1065-4917&rft.eissn=2166-9937&rft.volume=23&rft.spage=20&rft.epage=138&paramdict=en-US
Kaprow, A., Meyer-Hermann, E., Perchuk, A., Rosenthal, S., & Getty Research Institute. (2008). Allan Kaprow: art as life. Getty Research Institute.
Karoline Gritzner. (n.d.). (Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment. Contemporary Theatre Review. https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617
Knowles, R. P. (2004). Reading the material theatre: Vol. Theatre and performance theory. Cambridge University Press.
Kuhns, D. F. (1997). German expressionist theatre: the actor and the stage. Cambridge University Press.
Lehmann, H.-T. (2006). Postdramatic theatre. Routledge. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283
Levy, D. (1 C.E.). Questions of Survival: Towards a Postmodern Feminist Theatre. New Theatre Quarterly, 9, 225–229. http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Questions+of+Survival%3A+Towards+a+Postmodern+Feminist+Theatre&rft.jtitle=NTQ+-+New+Theatre+Quarterly&rft.au=Levy%2C+Deborah&rft.date=1993-08-01&rft.pub=Cambridge+University+Press&rft.issn=0266-464X&rft.eissn=1474-0613&rft.volume=9&rft.issue=3&rft.spage=225&rft.epage=229&paramdict=en-US
Levy, D. (2000). The B File. In Plays 1: Vol. Methuen contemporary dramatists. Methuen.
Lib Tayor. (n.d.). Counting Her Dresses. http://www.reading.ac.uk/internal/FTT-REF/PracticeasResearchinFTT/ProfessorLibTaylor/fttREF-Lib-Taylor-Stein-300-words.aspx
Lizzie Eldridge. (n.d.). Genet’s The Maids: performativity in performance. Studies in Theatre and Performance. https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1386/stap.25.2.99/1
Lorch, J. (2005). Pirandello: Six characters in search of an author: Vol. Plays in production. Cambridge University Press.
Marth Witt and Mary Ann Frese Witt, trans. and eds.: Six Characters in Search of an Author. (22 C.E.). Comparative Drama, 48. http://search.proquest.com/docview/1676626520?accountid=13460
Megson, C. (2012). Modern British playwriting: voices, documents, new interpretations, The 1970s. Methuen Drama. https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884
Mumford, M. (2008). Bertolt Brecht: Vol. Routledge performance practitioners. Routledge.
Newman, L. M., & Muir, A. (2009). The white fan: Gordon Craig’s neglected masterpiece of symbolist staging. The Malkin Press.
NT’s Education Pack on Churchill/Mitchell ‘A Dream Play’. (n.d.). http://d1wf8hd6ovssje.cloudfront.net/documents/a_dream_play.pdf
Performed Disembodiment in Duras’s Fictional Spaces. (n.d.). http://people.brunel.ac.uk/bst/vol0701/home.html
Phelan, P., & Lane, J. (1998). The ends of performance. New York University Press.
Pirandello, L. (n.d.). Six Characters Looking for an Author. In Six characters looking for an author. Methuen Drama. https://doi.org/10.5040/9781408164211.00000003
Rose, M. (1989). The symbolist theatre tradition from Maeterlinck and Yeats to Beckett and Pinter. Unicopli.
Sacks, G., & Thomson, P. (2006). The Cambridge companion to Brecht: Vol. Cambridge companions to literature (2nd ed). Cambridge University Press. http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521857090
Sandford, M. R. (1994). Happenings and other acts. Routledge. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=10188
Savona, J. L. (1984). Jean Genet: Vol. Grove Press modern dramatists. Grove Press.
Schumacher, C. (1996). Naturalism and symbolism in European theatre: 1850-1918: Vol. Theatre in Europe. Cambridge University Press.
Servos, N. (1981). The emancipation of dance: Pina Bausch and the Wuppertal Dance Theatre. Modern Drama, 23(4). https://go.openathens.net/redirector/reading.ac.uk?url=https://muse.jhu.edu/article/503283/pdf
Servos, N., & Weigelt, G. (2008). Pina Bausch: dance theatre. K. Kieser.
Sound Tracks: the Soundscapes of ‘India Song’. (1998). Theatre Research International, 23(3), 205–214. https://www.cambridge.org/core/journals/theatre-research-international/article/div-classtitlesound-tracks-the-soundscapes-of-span-classitalicindia-songspandiv/3A4AA36371F387899633955A0BE7072D
Stockenström, G. (1991). Strindberg’s dramaturgy. Almqvist & Wiksell. http://site.ebrary.com/lib/reading/Doc?id=10159412
Strindberg, A. (1982). A Dream Play. In The plays. Methuen. https://doi.org/10.5040/9781408183755.00000032
Styan, J. L. (1981). Modern drama in theory and practice: Vol. 3: Expressionism and epic theatre. Cambridge University Press.
Trimingham, M. (2011). The theatre of the Bauhaus: the modern and postmodern stage of Oskar Schlemmer: Vol. Routledge advances in theatre and performance studies. Routledge.
Walker, J. A. (2005). Expressionism and modernism in the American theatre: bodies, voices, words: Vol. Cambridge studies in American theatre and drama. Cambridge University Press. https://go.openathens.net/redirector/reading.ac.uk?url=http://hdl.handle.net/2027/heb.07577
Waters, J. & Society for Francophone Postcolonial Studies. (2006). Duras and Indochina: postcolonial perspectives: Vol. S.F.P.S. critical studies in postcolonial literature and culture. Society for Francophone Postcolonial Studies.
Wedekind, F. (2012). Spring Awakening. In Spring awakening: Vol. Methuen’s theatre classics. Methuen Drama. https://doi.org/10.5040/9781408189498.00000036
Williams, David A. (n.d.). Killing the Audience: Forced Entertainment’s First Night. Australasian Drama Studies. http://search.proquest.com/docview/2180177?accountid=13460
Willis, S. (1987). Marguerite Duras: writing on the body. University of Illinois Press.
Worthen, W. B. (1998). Drama, Performativity, and Performance. PMLA, 113(5). https://doi.org/10.2307/463244
Wright, E. (1989). Postmodern Brecht: a re-presentation: Vol. Critics of the twentieth century. Routledge.
