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Cohen SD. Women and discourse in the fiction of Marguerite Duras: love, legends, language. Basingstoke: Macmillan; 1993.
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Megson C. Modern British playwriting: voices, documents, new interpretations, The 1970s [Internet]. London: Methuen Drama; 2012. Available from: https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884
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Craig S. Dreams and deconstructions: alternative theatre in Britain. Ambergate, Derbyshire: Amber Lane Press; 1980.
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Climenhaga R. The Pina Bausch sourcebook: the making of Tanztheater [Internet]. London: Routledge; 2013. Available from: http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027
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Fernandes C. Pina Bausch and the Wuppertal Dance Theater: the aesthetics of repetition and transformation. Vol. New studies in aesthetics. New York: Peter Lang; 2002.
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Lehmann HT. Postdramatic theatre [Internet]. London: Routledge; 2006. Available from: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283
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Williams, David A. Killing the Audience: Forced Entertainment’s First Night. Australasian Drama Studies [Internet]. Available from: http://search.proquest.com/docview/2180177?accountid=13460
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Barnett, David. When is a Play not a Drama? Two Examples of Postdramatic Theatre Texts. New Theatre Quarterly [Internet]. 24(1):14–23. Available from: http://search.proquest.com/docview/2119576?accountid=13460
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Buckley J. LONG ‘LIVE’ THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals. Theater (New Haven, Conn) [Internet]. 1AD;46:35–53. Available from: http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US
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Karoline  Gritzner. (Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment. Contemporary Theatre Review [Internet]. Available from: https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617