Ackerman AL and Puchner M, Against Theatre: Creative Destructions on the Modernist Stage, vol Performance interventions (Palgrave Macmillan 2006)
Artaud A, The Theatre and Its Double: Essays, vol Signature series (Calder & Boyars 1970)
Aston E, An Introduction to Feminism and Theatre (Routledge 1995)
Aston E and Diamond E, The Cambridge Companion to Caryl Churchill, vol Cambridge Companions to Literature (Cambridge University Press 2009) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222>
Balakian A and International Comparative Literature Association, The Symbolist Movement in the Literature of European Languages, vol A Comparative history of literatures in European languages = (Akademiai Kiado 1982)
Barnett, David, ‘When Is a Play Not a Drama? Two Examples of Postdramatic Theatre Texts’ 24 New Theatre Quarterly 14 <http://search.proquest.com/docview/2119576?accountid=13460>
Bassnett S, Luigi Pirandello, vol Grove Press modern dramatists (Grove Press 1983)
Berghaus G, Theatre, Performance, and the Historical Avant-Garde, vol Palgrave studies in theatre and performance history (Palgrave Macmillan 2005)
Billington, Michael, ‘Escaped Alone Review -- Caryl Churchill’s Wry Chit-Chat Cradles Catastrophe’ [2016] The Guardian
Brecht B, Life of Galileo (Student Edition) (Methuen Drama student ed, Methuen 1986) <http://www.dramaonlinelibrary.com.idpproxy.reading.ac.uk/plays/life-of-galileo-student-edition-iid-11716>
Brecht B, Willett J and Davis J, Brecht on Theatre (3rd ed, Bloomsbury 2015)
Buckley J, ‘LONG “LIVE” THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals’ (1AD) 46 Theater (New Haven, Conn.) 35 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US>
Campbell P, The Body in Performance, vol v. 10, pt. 3 (RoutledgeFalmer 2004) <https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315079974>
Cardullo B and Knopf R, Theater of the Avant-Garde, 1890-1950: A Critical Anthology (Yale University Press 2001) <http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&db=nlabk&AN=187985>
Case S-E, Feminism and Theatre (Routledge 2014) <http://reading.eblib.com/patron/FullRecord.aspx?p=1779149>
Churchill C, Escaped Alone (Bloomsbury 2016) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.5040/9781784603595.00000002>
Climenhaga R, Pina Bausch (Routledge 2009) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=190018>
——, The Pina Bausch Sourcebook: The Making of Tanztheater (Routledge 2013) <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027>
Cody GH, Impossible Performances: Duras as Dramatist, vol Literature and the visual arts (Peter Lang 2000)
Cohen SD, Women and Discourse in the Fiction of Marguerite Duras: Love, Legends, Language (Macmillan 1993)
Counsell C, Signs of Performance: An Introduction to Twentieth-Century Theatre (Routledge 1996) <http://reading.eblib.com/patron/FullRecord.aspx?p=1474664>
Craig S, Dreams and Deconstructions: Alternative Theatre in Britain (Amber Lane Press 1980)
Deak F, Symbolist Theater: The Formation of an Avant-Garde (Johns Hopkins University Press 1993)
Diamond E, Unmaking Mimesis: Essays on Feminism and Theater (Routledge 1997)
Duras M and Bray B, Four Plays (Oberon 1992)
Etchells T, Certain Fragments: Contemporary Performance and Forced Entertainment (Routledge 1999) <http://site.ebrary.com/lib/reading/Doc?id=10054916>
Fernandes C, Pina Bausch and the Wuppertal Dance Theater: The Aesthetics of Repetition and Transformation, vol New studies in aesthetics (Peter Lang 2002)
‘“First Night” Programme Note by Tim Etchells | Forced Entertainment’ <http://www.forcedentertainment.com/notebook-entry/first-night-programme-note-by-tim-etchells/>
Florêncio J, ‘Enmeshed Bodies, Impossible Touch’ (2015) 20 Performance Research 53
Fortier M, Theory/Theatre: An Introduction (2nd ed, Routledge 2002)
——, Theory/Theatre: An Introduction (2nd ed, Routledge 2002) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=11120>
Gale MB and Deeney JF, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (Routledge 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
——, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (Routledge 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
——, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (Routledge 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
Genet J and Frechtman B, The Maids (Faber 1963)
Innes CD, Avant Garde Theatre (Routledge 1993) <http://site.ebrary.com/lib/reading/Doc?id=10100164>
Itzin C, Stages in the Revolution: Political Theatre in Britain since 1968 (Eyre Methuen 1980)
Jameson F, Brecht and Method (Verso 2000)
Journey E, ‘Frank Wedekind’s Spring Awakening and the Tragedy of Adolescence’ (1AD) 23 Theatre symposium 20 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Frank+Wedekind%27s+Spring+Awakening+and+the+Tragedy+of+Adolescence&rft.jtitle=Theatre+Symposium%3A+A+Journal+of+the+Southeastern+Theatre+Conference&rft.au=Journey%2C+Edward&rft.date=2015-01-01&rft.pub=University+of+Alabama+Press&rft.issn=1065-4917&rft.eissn=2166-9937&rft.volume=23&rft.spage=20&rft.epage=138&paramdict=en-US>
Kaprow A and others, Allan Kaprow: Art as Life (Getty Research Institute 2008)
Karoline Gritzner, ‘(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment’ Contemporary Theatre Review <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617>
Knowles RP, Reading the Material Theatre, vol Theatre and performance theory (Cambridge University Press 2004)
Kuhns DF, German Expressionist Theatre: The Actor and the Stage (Cambridge University Press 1997)
Lehmann H-T, Postdramatic Theatre (Routledge 2006) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283>
Levy D, ‘Questions of Survival: Towards a Postmodern Feminist Theatre’ (1AD) 9 New theatre quarterly 225 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Questions+of+Survival%3A+Towards+a+Postmodern+Feminist+Theatre&rft.jtitle=NTQ+-+New+Theatre+Quarterly&rft.au=Levy%2C+Deborah&rft.date=1993-08-01&rft.pub=Cambridge+University+Press&rft.issn=0266-464X&rft.eissn=1474-0613&rft.volume=9&rft.issue=3&rft.spage=225&rft.epage=229&paramdict=en-US>
——, ‘The B File’, Plays 1, vol Methuen contemporary dramatists (Methuen 2000)
Lib Tayor, ‘Counting Her Dresses’ <http://www.reading.ac.uk/internal/FTT-REF/PracticeasResearchinFTT/ProfessorLibTaylor/fttREF-Lib-Taylor-Stein-300-words.aspx>
Lizzie Eldridge, ‘Genet’s The Maids: Performativity in Performance’ Studies in Theatre and Performance <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1386/stap.25.2.99/1>
Lorch J, Pirandello: Six Characters in Search of an Author, vol Plays in production (Cambridge University Press 2005)
‘Marth Witt and Mary Ann Frese Witt, Trans. and Eds.: Six Characters in Search of an Author’ (22AD) 48 Comparative drama <http://search.proquest.com/docview/1676626520?accountid=13460>
Megson C, Modern British Playwriting: Voices, Documents, New Interpretations, The 1970s (Methuen Drama 2012) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884>
Mumford M, Bertolt Brecht, vol Routledge performance practitioners (Routledge 2008)
Newman LM and Muir A, The White Fan: Gordon Craig’s Neglected Masterpiece of Symbolist Staging (The Malkin Press 2009)
‘NT’s Education Pack on Churchill/Mitchell “A Dream Play”’ <http://d1wf8hd6ovssje.cloudfront.net/documents/a_dream_play.pdf>
‘Performed Disembodiment in Duras’s Fictional Spaces’ <http://people.brunel.ac.uk/bst/vol0701/home.html>
Phelan P and Lane J, The Ends of Performance (New York University Press 1998)
Pirandello L, Six Characters Looking for an Author (Methuen Drama) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dramaonlinelibrary.com/plays/six-characters-looking-for-an-author-iid-14893>
Rose M, The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter (Unicopli 1989)
Sacks G and Thomson P, The Cambridge Companion to Brecht, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2006) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521857090>
Sandford MR, Happenings and Other Acts (Routledge 1994) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=10188>
Savona JL, Jean Genet, vol Grove Press modern dramatists (Grove Press 1984)
Schumacher C, Naturalism and Symbolism in European Theatre: 1850-1918, vol Theatre in Europe (Cambridge University Press 1996)
Servos N, ‘The Emancipation of Dance: Pina Bausch and the Wuppertal Dance Theatre’ (1981) 23 Modern Drama <https://go.openathens.net/redirector/reading.ac.uk?url=https://muse.jhu.edu/article/503283/pdf>
Servos N and Weigelt G, Pina Bausch: Dance Theatre (K Kieser 2008)
‘Sound Tracks: The Soundscapes of “India Song”’ (1998) 23 Theatre Research International 205 <https://www.cambridge.org/core/journals/theatre-research-international/article/div-classtitlesound-tracks-the-soundscapes-of-span-classitalicindia-songspandiv/3A4AA36371F387899633955A0BE7072D>
Stockenström G, Strindberg’s Dramaturgy (Almqvist & Wiksell 1991) <http://site.ebrary.com/lib/reading/Doc?id=10159412>
Strindberg A, A Dream Play (Methuen 1982) <http://www.dramaonlinelibrary.com.idpproxy.reading.ac.uk/plays/a-dream-play-iid-131377>
Styan JL, Modern Drama in Theory and Practice: Vol. 3: Expressionism and Epic Theatre (Cambridge University Press 1981)
Trimingham M, The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer, vol Routledge advances in theatre and performance studies (Routledge 2011)
Walker JA, Expressionism and Modernism in the American Theatre: Bodies, Voices, Words, vol Cambridge studies in American theatre and drama (Cambridge University Press 2005) <https://go.openathens.net/redirector/reading.ac.uk?url=http://hdl.handle.net/2027/heb.07577>
Waters J and Society for Francophone Postcolonial Studies, Duras and Indochina: Postcolonial Perspectives, vol S.F.P.S. critical studies in postcolonial literature and culture (Society for Francophone Postcolonial Studies 2006)
Wedekind F, Spring Awakening, vol Methuen’s theatre classics (Methuen Drama 2012) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dramaonlinelibrary.com/plays/spring-awakening-iid-116090>
Williams, David A, ‘Killing the Audience: Forced Entertainment’s First Night’ Australasian Drama Studies <http://search.proquest.com/docview/2180177?accountid=13460>
Willis S, Marguerite Duras: Writing on the Body (University of Illinois Press 1987)
Worthen WB, ‘Drama, Performativity, and Performance’ (1998) 113 PMLA
Wright E, Postmodern Brecht: A Re-Presentation, vol Critics of the twentieth century (Routledge 1989)
