Ackerman, Alan L., and Martin Puchner, Against Theatre: Creative Destructions on the Modernist Stage (Houndmills, Basingstoke: Palgrave Macmillan, 2006), Performance interventions
Artaud, Antonin, The Theatre and Its Double: Essays (London: Calder & Boyars, 1970), Signature series
Aston, Elaine, An Introduction to Feminism and Theatre (London: Routledge, 1995)
Aston, Elaine, and Elin Diamond, The Cambridge Companion to Caryl Churchill (Cambridge: Cambridge University Press, 2009), Cambridge Companions to Literature <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222>
Balakian, Anna and International Comparative Literature Association, The Symbolist Movement in the Literature of European Languages (Budapest: Akademiai Kiado, 1982), A Comparative history of literatures in European languages =
Barnett, David, ‘When Is a Play Not a Drama? Two Examples of Postdramatic Theatre Texts’, New Theatre Quarterly, 24.1, 14–23 <http://search.proquest.com/docview/2119576?accountid=13460>
Bassnett, Susan, Luigi Pirandello (New York: Grove Press, 1983), Grove Press modern dramatists
Berghaus, Günter, Theatre, Performance, and the Historical Avant-Garde (New York: Palgrave Macmillan, 2005), Palgrave studies in theatre and performance history
Billington, Michael, ‘Escaped Alone Review -- Caryl Churchill’s Wry Chit-Chat Cradles Catastrophe’, The Guardian, 2016
Brecht, Bertolt, Life of Galileo (Student Edition), Life of Galileo, Methuen Drama student ed (London: Methuen, 1986) <https://doi.org/10.5040/9781408162880.00000033>
Brecht, Bertolt, John Willett, and Jack Davis, Brecht on Theatre, 3rd ed (London: Bloomsbury, 2015)
Buckley, Jennifer, ‘LONG “LIVE” THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals’, Theater (New Haven, Conn.), 46 (1AD), 35–53 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US>
Campbell, Patrick, The Body in Performance (London: RoutledgeFalmer, 2004), v. 10, pt. 3 <https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315079974>
Cardullo, Bert, and Robert Knopf, Theater of the Avant-Garde, 1890-1950: A Critical Anthology (New Haven: Yale University Press, 2001) <http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&db=nlabk&AN=187985>
Case, Sue-Ellen, Feminism and Theatre (Oxfordshire, England: Routledge, 2014) <http://reading.eblib.com/patron/FullRecord.aspx?p=1779149>
Churchill, Caryl, Escaped Alone ([London]: Bloomsbury, 2016) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.5040/9781784603595.00000002>
Climenhaga, Royd, Pina Bausch (New York: Routledge, 2009) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=190018>
———, The Pina Bausch Sourcebook: The Making of Tanztheater (London: Routledge, 2013) <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027>
Cody, Gabrielle H., Impossible Performances: Duras as Dramatist (New York: Peter Lang, 2000), Literature and the visual arts
Cohen, Susan D., Women and Discourse in the Fiction of Marguerite Duras: Love, Legends, Language (Basingstoke: Macmillan, 1993)
Counsell, Colin, Signs of Performance: An Introduction to Twentieth-Century Theatre (London: Routledge, 1996) <http://reading.eblib.com/patron/FullRecord.aspx?p=1474664>
Craig, Sandy, Dreams and Deconstructions: Alternative Theatre in Britain (Ambergate, Derbyshire: Amber Lane Press, 1980)
Deak, Frantisek, Symbolist Theater: The Formation of an Avant-Garde (Baltimore: Johns Hopkins University Press, 1993)
Diamond, Elin, Unmaking Mimesis: Essays on Feminism and Theater (London: Routledge, 1997)
Duras, Marguerite, and Barbara Bray, Four Plays (London: Oberon, 1992)
Etchells, Tim, Certain Fragments: Contemporary Performance and Forced Entertainment (London: Routledge, 1999) <http://site.ebrary.com/lib/reading/Doc?id=10054916>
Fernandes, Ciane, Pina Bausch and the Wuppertal Dance Theater: The Aesthetics of Repetition and Transformation (New York: Peter Lang, 2002), New studies in aesthetics
‘“First Night” Programme Note by Tim Etchells | Forced Entertainment’ <http://www.forcedentertainment.com/notebook-entry/first-night-programme-note-by-tim-etchells/>
Florêncio, João, ‘Enmeshed Bodies, Impossible Touch’, Performance Research, 20.2 (2015), 53–59 <https://doi.org/10.1080/13528165.2015.1026719>
Fortier, Mark, Theory/Theatre: An Introduction, 2nd ed (London: Routledge, 2002)
———, Theory/Theatre: An Introduction, 2nd ed (London: Routledge, 2002) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=11120>
Gale, Maggie B., and John F. Deeney, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London: Routledge, 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
———, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London: Routledge, 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
———, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London: Routledge, 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
Genet, Jean, and Bernard Frechtman, The Maids (Faber, 1963)
Innes, C.D., Avant Garde Theatre (London: Routledge, 1993) <http://site.ebrary.com/lib/reading/Doc?id=10100164>
Itzin, Catherine, Stages in the Revolution: Political Theatre in Britain since 1968 (London: Eyre Methuen, 1980)
Jameson, Fredric, Brecht and Method (London: Verso, 2000)
Journey, Edward, ‘Frank Wedekind’s Spring Awakening and the Tragedy of Adolescence’, Theatre Symposium, 23 (1AD), 20–138 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Frank+Wedekind%27s+Spring+Awakening+and+the+Tragedy+of+Adolescence&rft.jtitle=Theatre+Symposium%3A+A+Journal+of+the+Southeastern+Theatre+Conference&rft.au=Journey%2C+Edward&rft.date=2015-01-01&rft.pub=University+of+Alabama+Press&rft.issn=1065-4917&rft.eissn=2166-9937&rft.volume=23&rft.spage=20&rft.epage=138&paramdict=en-US>
Kaprow, Allan, Eva Meyer-Hermann, Andrew Perchuk, Stephanie Rosenthal, and Getty Research Institute, Allan Kaprow: Art as Life (Los Angeles: Getty Research Institute, 2008)
Karoline Gritzner, ‘(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment’, Contemporary Theatre Review <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617>
Knowles, Richard Paul, Reading the Material Theatre (Cambridge: Cambridge University Press, 2004), Theatre and performance theory
Kuhns, David F., German Expressionist Theatre: The Actor and the Stage (Cambridge: Cambridge University Press, 1997)
Lehmann, Hans-Thies, Postdramatic Theatre (London: Routledge, 2006) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283>
Levy, Deborah, ‘Questions of Survival: Towards a Postmodern Feminist Theatre’, New Theatre Quarterly, 9 (1AD), 225–29 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Questions+of+Survival%3A+Towards+a+Postmodern+Feminist+Theatre&rft.jtitle=NTQ+-+New+Theatre+Quarterly&rft.au=Levy%2C+Deborah&rft.date=1993-08-01&rft.pub=Cambridge+University+Press&rft.issn=0266-464X&rft.eissn=1474-0613&rft.volume=9&rft.issue=3&rft.spage=225&rft.epage=229&paramdict=en-US>
———, ‘The B File’, in Plays 1 (London: Methuen, 2000), Methuen contemporary dramatists
Lib Tayor, ‘Counting Her Dresses’ <http://www.reading.ac.uk/internal/FTT-REF/PracticeasResearchinFTT/ProfessorLibTaylor/fttREF-Lib-Taylor-Stein-300-words.aspx>
Lizzie Eldridge, ‘Genet’s The Maids: Performativity in Performance’, Studies in Theatre and Performance <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1386/stap.25.2.99/1>
Lorch, Jennifer, Pirandello: Six Characters in Search of an Author (Cambridge: Cambridge University Press, 2005), Plays in production
‘Marth Witt and Mary Ann Frese Witt, Trans. and Eds.: Six Characters in Search of an Author’, Comparative Drama, 48 (22AD) <http://search.proquest.com/docview/1676626520?accountid=13460>
Megson, Christopher, Modern British Playwriting: Voices, Documents, New Interpretations, The 1970s (London: Methuen Drama, 2012) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884>
Mumford, Meg, Bertolt Brecht (London: Routledge, 2008), Routledge performance practitioners
Newman, L.M., and Ann Muir, The White Fan: Gordon Craig’s Neglected Masterpiece of Symbolist Staging (London: The Malkin Press, 2009)
‘NT’s Education Pack on Churchill/Mitchell “A Dream Play”’ <http://d1wf8hd6ovssje.cloudfront.net/documents/a_dream_play.pdf>
‘Performed Disembodiment in Duras’s Fictional Spaces’ <http://people.brunel.ac.uk/bst/vol0701/home.html>
Phelan, Peggy, and Jill Lane, The Ends of Performance (New York: New York University Press, 1998)
Pirandello, Luigi, Six Characters Looking for an Author, Six Characters Looking for an Author (London: Methuen Drama) <https://doi.org/10.5040/9781408164211.00000003>
Rose, Margaret, The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter (Milano: Unicopli, 1989)
Sacks, Glendyr, and Peter Thomson, The Cambridge Companion to Brecht, 2nd ed (Cambridge: Cambridge University Press, 2006), Cambridge companions to literature <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521857090>
Sandford, Mariellen R., Happenings and Other Acts (London: Routledge, 1994) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=10188>
Savona, Jeannette Laillou, Jean Genet (New York: Grove Press, 1984), Grove Press modern dramatists
Schumacher, Claude, Naturalism and Symbolism in European Theatre: 1850-1918 (Cambridge: Cambridge University Press, 1996), Theatre in Europe
Servos, Norbert, ‘The Emancipation of Dance: Pina Bausch and the Wuppertal Dance Theatre’, Modern Drama, 23.4 (1981) <https://go.openathens.net/redirector/reading.ac.uk?url=https://muse.jhu.edu/article/503283/pdf>
Servos, Norbert, and Gert Weigelt, Pina Bausch: Dance Theatre (Munich: K. Kieser, 2008)
‘Sound Tracks: The Soundscapes of “India Song”’, Theatre Research International, 23.3 (1998), 205–14 <https://www.cambridge.org/core/journals/theatre-research-international/article/div-classtitlesound-tracks-the-soundscapes-of-span-classitalicindia-songspandiv/3A4AA36371F387899633955A0BE7072D>
Stockenström, Göran, Strindberg’s Dramaturgy (Stockholm: Almqvist & Wiksell, 1991) <http://site.ebrary.com/lib/reading/Doc?id=10159412>
Strindberg, August, A Dream Play, The Plays (London: Methuen, 1982) <https://doi.org/10.5040/9781408183755.00000032>
Styan, J.L., Modern Drama in Theory and Practice: Vol. 3: Expressionism and Epic Theatre (Cambridge: Cambridge University Press, 1981)
Trimingham, Melissa, The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer (New York: Routledge, 2011), Routledge advances in theatre and performance studies
Walker, Julia A., Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (Cambridge: Cambridge University Press, 2005), Cambridge studies in American theatre and drama <https://go.openathens.net/redirector/reading.ac.uk?url=http://hdl.handle.net/2027/heb.07577>
Waters, Julia and Society for Francophone Postcolonial Studies, Duras and Indochina: Postcolonial Perspectives (Liverpool: Society for Francophone Postcolonial Studies, 2006), S.F.P.S. critical studies in postcolonial literature and culture
Wedekind, Frank, Spring Awakening, Spring Awakening (London: Methuen Drama, 2012), Methuen’s theatre classics <https://doi.org/10.5040/9781408189498.00000036>
Williams, David A, ‘Killing the Audience: Forced Entertainment’s First Night’, Australasian Drama Studies <http://search.proquest.com/docview/2180177?accountid=13460>
Willis, Sharon, Marguerite Duras: Writing on the Body (Urbana, Ill: University of Illinois Press, 1987)
Worthen, W. B., ‘Drama, Performativity, and Performance’, PMLA, 113.5 (1998) <https://doi.org/10.2307/463244>
Wright, Elizabeth, Postmodern Brecht: A Re-Presentation (London: Routledge, 1989), Critics of the twentieth century
