Ackerman, Alan L., and Martin Puchner, Against Theatre: Creative Destructions on the Modernist Stage (Houndmills, Basingstoke, 2006)
Artaud, Antonin, The Theatre and Its Double: Essays (London, 1970)
Aston, Elaine, An Introduction to Feminism and Theatre (London, 1995)
Aston, Elaine, and Elin Diamond, The Cambridge Companion to Caryl Churchill (Cambridge, 2009) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222>
Balakian, Anna and International Comparative Literature Association, The Symbolist Movement in the Literature of European Languages (Budapest, 1982)
Barnett, David, ‘When Is a Play Not a Drama? Two Examples of Postdramatic Theatre Texts’, New Theatre Quarterly, 24/1, 14–23 <http://search.proquest.com/docview/2119576?accountid=13460>
Bassnett, Susan, Luigi Pirandello (New York, 1983)
Berghaus, Günter, Theatre, Performance, and the Historical Avant-Garde (New York, 2005)
Billington, Michael, ‘Escaped Alone Review -- Caryl Churchill’s Wry Chit-Chat Cradles Catastrophe’, The Guardian, 2016
Brecht, Bertolt, Life of Galileo (Student Edition), Life of Galileo, Methuen Drama student ed (London, 1986) <http://www.dramaonlinelibrary.com.idpproxy.reading.ac.uk/plays/life-of-galileo-student-edition-iid-11716>
Brecht, Bertolt, John Willett, and Jack Davis, Brecht on Theatre, 3rd ed (London, 2015)
Buckley, Jennifer, ‘LONG “LIVE” THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals’, Theater (New Haven, Conn.), 46 (1AD), 35–53 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US>
Campbell, Patrick, The Body in Performance (London, 2004) <https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315079974>
Cardullo, Bert, and Robert Knopf, Theater of the Avant-Garde, 1890-1950: A Critical Anthology (New Haven, 2001) <http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&db=nlabk&AN=187985>
Case, Sue-Ellen, Feminism and Theatre (Oxfordshire, England, 2014) <http://reading.eblib.com/patron/FullRecord.aspx?p=1779149>
Churchill, Caryl, Escaped Alone ([London], 2016) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.5040/9781784603595.00000002>
Climenhaga, Royd, Pina Bausch (New York, 2009) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=190018>
———, The Pina Bausch Sourcebook: The Making of Tanztheater (London, 2013) <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027>
Cody, Gabrielle H., Impossible Performances: Duras as Dramatist (New York, 2000)
Cohen, Susan D., Women and Discourse in the Fiction of Marguerite Duras: Love, Legends, Language (Basingstoke, 1993)
Counsell, Colin, Signs of Performance: An Introduction to Twentieth-Century Theatre (London, 1996) <http://reading.eblib.com/patron/FullRecord.aspx?p=1474664>
Craig, Sandy, Dreams and Deconstructions: Alternative Theatre in Britain (Ambergate, Derbyshire, 1980)
Deak, Frantisek, Symbolist Theater: The Formation of an Avant-Garde (Baltimore, 1993)
Diamond, Elin, Unmaking Mimesis: Essays on Feminism and Theater (London, 1997)
Duras, Marguerite, and Barbara Bray, Four Plays (London, 1992)
Etchells, Tim, Certain Fragments: Contemporary Performance and Forced Entertainment (London, 1999) <http://site.ebrary.com/lib/reading/Doc?id=10054916>
Fernandes, Ciane, Pina Bausch and the Wuppertal Dance Theater: The Aesthetics of Repetition and Transformation (New York, 2002)
‘“First Night” Programme Note by Tim Etchells | Forced Entertainment’ <http://www.forcedentertainment.com/notebook-entry/first-night-programme-note-by-tim-etchells/>
Florêncio, João, ‘Enmeshed Bodies, Impossible Touch’, Performance Research, 20/2 (2015), 53–59
Fortier, Mark, Theory/Theatre: An Introduction, 2nd ed (London, 2002)
———, Theory/Theatre: An Introduction, 2nd ed (London, 2002) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=11120>
Gale, Maggie B., and John F. Deeney, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London, 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
———, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London, 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
———, The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London, 2010) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
Genet, Jean, and Bernard Frechtman, The Maids (1963)
Innes, C.D., Avant Garde Theatre (London, 1993) <http://site.ebrary.com/lib/reading/Doc?id=10100164>
Itzin, Catherine, Stages in the Revolution: Political Theatre in Britain since 1968 (London, 1980)
Jameson, Fredric, Brecht and Method (London, 2000)
Journey, Edward, ‘Frank Wedekind’s Spring Awakening and the Tragedy of Adolescence’, Theatre Symposium, 23 (1AD), 20–138 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Frank+Wedekind%27s+Spring+Awakening+and+the+Tragedy+of+Adolescence&rft.jtitle=Theatre+Symposium%3A+A+Journal+of+the+Southeastern+Theatre+Conference&rft.au=Journey%2C+Edward&rft.date=2015-01-01&rft.pub=University+of+Alabama+Press&rft.issn=1065-4917&rft.eissn=2166-9937&rft.volume=23&rft.spage=20&rft.epage=138&paramdict=en-US>
Kaprow, Allan, Eva Meyer-Hermann, Andrew Perchuk, Stephanie Rosenthal, and Getty Research Institute, Allan Kaprow: Art as Life (Los Angeles, 2008)
Karoline Gritzner, ‘(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment’, Contemporary Theatre Review <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617>
Knowles, Richard Paul, Reading the Material Theatre (Cambridge, 2004)
Kuhns, David F., German Expressionist Theatre: The Actor and the Stage (Cambridge, 1997)
Lehmann, Hans-Thies, Postdramatic Theatre (London, 2006) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283>
Levy, Deborah, ‘Questions of Survival: Towards a Postmodern Feminist Theatre’, New Theatre Quarterly, 9 (1AD), 225–29 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Questions+of+Survival%3A+Towards+a+Postmodern+Feminist+Theatre&rft.jtitle=NTQ+-+New+Theatre+Quarterly&rft.au=Levy%2C+Deborah&rft.date=1993-08-01&rft.pub=Cambridge+University+Press&rft.issn=0266-464X&rft.eissn=1474-0613&rft.volume=9&rft.issue=3&rft.spage=225&rft.epage=229&paramdict=en-US>
———, ‘The B File’, in Plays 1 (London, 2000)
Lib Tayor, ‘Counting Her Dresses’ <http://www.reading.ac.uk/internal/FTT-REF/PracticeasResearchinFTT/ProfessorLibTaylor/fttREF-Lib-Taylor-Stein-300-words.aspx>
Lizzie Eldridge, ‘Genet’s The Maids: Performativity in Performance’, Studies in Theatre and Performance <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1386/stap.25.2.99/1>
Lorch, Jennifer, Pirandello: Six Characters in Search of an Author (Cambridge, 2005)
‘Marth Witt and Mary Ann Frese Witt, Trans. and Eds.: Six Characters in Search of an Author’, Comparative Drama, 48 (22AD) <http://search.proquest.com/docview/1676626520?accountid=13460>
Megson, Christopher, Modern British Playwriting: Voices, Documents, New Interpretations, The 1970s (London, 2012) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884>
Mumford, Meg, Bertolt Brecht (London, 2008)
Newman, L.M., and Ann Muir, The White Fan: Gordon Craig’s Neglected Masterpiece of Symbolist Staging (London, 2009)
‘NT’s Education Pack on Churchill/Mitchell “A Dream Play”’ <http://d1wf8hd6ovssje.cloudfront.net/documents/a_dream_play.pdf>
‘Performed Disembodiment in Duras’s Fictional Spaces’ <http://people.brunel.ac.uk/bst/vol0701/home.html>
Phelan, Peggy, and Jill Lane, The Ends of Performance (New York, 1998)
Pirandello, Luigi, Six Characters Looking for an Author, Six Characters Looking for an Author (London) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dramaonlinelibrary.com/plays/six-characters-looking-for-an-author-iid-14893>
Rose, Margaret, The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter (Milano, 1989)
Sacks, Glendyr, and Peter Thomson, The Cambridge Companion to Brecht, 2nd ed (Cambridge, 2006) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521857090>
Sandford, Mariellen R., Happenings and Other Acts (London, 1994) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=10188>
Savona, Jeannette Laillou, Jean Genet (New York, 1984)
Schumacher, Claude, Naturalism and Symbolism in European Theatre: 1850-1918 (Cambridge, 1996)
Servos, Norbert, ‘The Emancipation of Dance: Pina Bausch and the Wuppertal Dance Theatre’, Modern Drama, 23/4 (1981) <https://go.openathens.net/redirector/reading.ac.uk?url=https://muse.jhu.edu/article/503283/pdf>
Servos, Norbert, and Gert Weigelt, Pina Bausch: Dance Theatre (Munich, 2008)
‘Sound Tracks: The Soundscapes of “India Song”’, Theatre Research International, 23/3 (1998), 205–14 <https://www.cambridge.org/core/journals/theatre-research-international/article/div-classtitlesound-tracks-the-soundscapes-of-span-classitalicindia-songspandiv/3A4AA36371F387899633955A0BE7072D>
Stockenström, Göran, Strindberg’s Dramaturgy (Stockholm, 1991) <http://site.ebrary.com/lib/reading/Doc?id=10159412>
Strindberg, August, A Dream Play, The Plays (London, 1982) <http://www.dramaonlinelibrary.com.idpproxy.reading.ac.uk/plays/a-dream-play-iid-131377>
Styan, J.L., Modern Drama in Theory and Practice: Vol. 3: Expressionism and Epic Theatre (Cambridge, 1981)
Trimingham, Melissa, The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer (New York, 2011)
Walker, Julia A., Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (Cambridge, 2005) <https://go.openathens.net/redirector/reading.ac.uk?url=http://hdl.handle.net/2027/heb.07577>
Waters, Julia and Society for Francophone Postcolonial Studies, Duras and Indochina: Postcolonial Perspectives (Liverpool, 2006)
Wedekind, Frank, Spring Awakening, Spring Awakening (London, 2012) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dramaonlinelibrary.com/plays/spring-awakening-iid-116090>
Williams, David A, ‘Killing the Audience: Forced Entertainment’s First Night’, Australasian Drama Studies <http://search.proquest.com/docview/2180177?accountid=13460>
Willis, Sharon, Marguerite Duras: Writing on the Body (Urbana, Ill, 1987)
Worthen, W. B., ‘Drama, Performativity, and Performance’, PMLA, 113/5 (1998)
Wright, Elizabeth, Postmodern Brecht: A Re-Presentation (London, 1989)
