Ackerman, Alan L., and Martin Puchner. 2006. Against Theatre: Creative Destructions on the Modernist Stage (Houndmills, Basingstoke: Palgrave Macmillan)
Artaud, Antonin. 1970. The Theatre and Its Double: Essays (London: Calder & Boyars)
Aston, Elaine. 1995. An Introduction to Feminism and Theatre (London: Routledge)
Aston, Elaine, and Elin Diamond. 2009. The Cambridge Companion to Caryl Churchill (Cambridge: Cambridge University Press) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222>
Balakian, Anna and International Comparative Literature Association. 1982. The Symbolist Movement in the Literature of European Languages (Budapest: Akademiai Kiado)
Barnett, David. [n.d.]. ‘When Is a Play Not a Drama? Two Examples of Postdramatic Theatre Texts’, New Theatre Quarterly, 24.1: 14–23 <http://search.proquest.com/docview/2119576?accountid=13460>
Bassnett, Susan. 1983. Luigi Pirandello (New York: Grove Press)
Berghaus, Günter. 2005. Theatre, Performance, and the Historical Avant-Garde (New York: Palgrave Macmillan)
Billington, Michael. 2016. ‘Escaped Alone Review -- Caryl Churchill’s Wry Chit-Chat Cradles Catastrophe’, The Guardian
Brecht, Bertolt. 1986. Life of Galileo (Student Edition), Life of Galileo, Methuen Drama student ed (London: Methuen) <https://doi.org/10.5040/9781408162880.00000033>
Brecht, Bertolt, John Willett, and Jack Davis. 2015. Brecht on Theatre, 3rd ed (London: Bloomsbury)
Buckley, Jennifer. 1AD. ‘LONG “LIVE” THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals’, Theater (New Haven, Conn.), 46: 35–53 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US>
Campbell, Patrick. 2004. The Body in Performance (London: RoutledgeFalmer) <https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315079974>
Cardullo, Bert, and Robert Knopf. 2001. Theater of the Avant-Garde, 1890-1950: A Critical Anthology (New Haven: Yale University Press) <http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&db=nlabk&AN=187985>
Case, Sue-Ellen. 2014. Feminism and Theatre (Oxfordshire, England: Routledge) <http://reading.eblib.com/patron/FullRecord.aspx?p=1779149>
Churchill, Caryl. 2016. Escaped Alone ([London]: Bloomsbury) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.5040/9781784603595.00000002>
Climenhaga, Royd. 2009. Pina Bausch (New York: Routledge) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=190018>
———. 2013. The Pina Bausch Sourcebook: The Making of Tanztheater (London: Routledge) <http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027>
Cody, Gabrielle H. 2000. Impossible Performances: Duras as Dramatist (New York: Peter Lang)
Cohen, Susan D. 1993. Women and Discourse in the Fiction of Marguerite Duras: Love, Legends, Language (Basingstoke: Macmillan)
Counsell, Colin. 1996. Signs of Performance: An Introduction to Twentieth-Century Theatre (London: Routledge) <http://reading.eblib.com/patron/FullRecord.aspx?p=1474664>
Craig, Sandy. 1980. Dreams and Deconstructions: Alternative Theatre in Britain (Ambergate, Derbyshire: Amber Lane Press)
Deak, Frantisek. 1993. Symbolist Theater: The Formation of an Avant-Garde (Baltimore: Johns Hopkins University Press)
Diamond, Elin. 1997. Unmaking Mimesis: Essays on Feminism and Theater (London: Routledge)
Duras, Marguerite, and Barbara Bray. 1992. Four Plays (London: Oberon)
Etchells, Tim. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment (London: Routledge) <http://site.ebrary.com/lib/reading/Doc?id=10054916>
Fernandes, Ciane. 2002. Pina Bausch and the Wuppertal Dance Theater: The Aesthetics of Repetition and Transformation (New York: Peter Lang)
‘“First Night” Programme Note by Tim Etchells | Forced Entertainment’. [n.d.]. <http://www.forcedentertainment.com/notebook-entry/first-night-programme-note-by-tim-etchells/>
Florêncio, João. 2015. ‘Enmeshed Bodies, Impossible Touch’, Performance Research, 20.2: 53–59 <https://doi.org/10.1080/13528165.2015.1026719>
Fortier, Mark. 2002a. Theory/Theatre: An Introduction, 2nd ed (London: Routledge)
———. 2002b. Theory/Theatre: An Introduction, 2nd ed (London: Routledge) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=11120>
Gale, Maggie B., and John F. Deeney. 2010a. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London: Routledge) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
———. 2010b. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London: Routledge) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
———. 2010c. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance (London: Routledge) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989>
Genet, Jean, and Bernard Frechtman. 1963. The Maids (Faber)
Innes, C.D. 1993. Avant Garde Theatre (London: Routledge) <http://site.ebrary.com/lib/reading/Doc?id=10100164>
Itzin, Catherine. 1980. Stages in the Revolution: Political Theatre in Britain since 1968 (London: Eyre Methuen)
Jameson, Fredric. 2000. Brecht and Method (London: Verso)
Journey, Edward. 1AD. ‘Frank Wedekind’s Spring Awakening and the Tragedy of Adolescence’, Theatre Symposium, 23: 20–138 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Frank+Wedekind%27s+Spring+Awakening+and+the+Tragedy+of+Adolescence&rft.jtitle=Theatre+Symposium%3A+A+Journal+of+the+Southeastern+Theatre+Conference&rft.au=Journey%2C+Edward&rft.date=2015-01-01&rft.pub=University+of+Alabama+Press&rft.issn=1065-4917&rft.eissn=2166-9937&rft.volume=23&rft.spage=20&rft.epage=138&paramdict=en-US>
Kaprow, Allan, Eva Meyer-Hermann, Andrew Perchuk, Stephanie Rosenthal, and Getty Research Institute. 2008. Allan Kaprow: Art as Life (Los Angeles: Getty Research Institute)
Karoline Gritzner. [n.d.]. ‘(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment’, Contemporary Theatre Review (Routledge) <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617>
Knowles, Richard Paul. 2004. Reading the Material Theatre (Cambridge: Cambridge University Press)
Kuhns, David F. 1997. German Expressionist Theatre: The Actor and the Stage (Cambridge: Cambridge University Press)
Lehmann, Hans-Thies. 2006. Postdramatic Theatre (London: Routledge) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283>
Levy, Deborah. 1AD. ‘Questions of Survival: Towards a Postmodern Feminist Theatre’, New Theatre Quarterly, 9: 225–29 <http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Questions+of+Survival%3A+Towards+a+Postmodern+Feminist+Theatre&rft.jtitle=NTQ+-+New+Theatre+Quarterly&rft.au=Levy%2C+Deborah&rft.date=1993-08-01&rft.pub=Cambridge+University+Press&rft.issn=0266-464X&rft.eissn=1474-0613&rft.volume=9&rft.issue=3&rft.spage=225&rft.epage=229&paramdict=en-US>
———. 2000. ‘The B File’, in Plays 1 (London: Methuen)
Lib Tayor. [n.d.]. ‘Counting Her Dresses’ <http://www.reading.ac.uk/internal/FTT-REF/PracticeasResearchinFTT/ProfessorLibTaylor/fttREF-Lib-Taylor-Stein-300-words.aspx>
Lizzie Eldridge. [n.d.]. ‘Genet’s The Maids: Performativity in Performance’, Studies in Theatre and Performance (Routledge) <https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1386/stap.25.2.99/1>
Lorch, Jennifer. 2005. Pirandello: Six Characters in Search of an Author (Cambridge: Cambridge University Press)
‘Marth Witt and Mary Ann Frese Witt, Trans. and Eds.: Six Characters in Search of an Author’. 22AD. Comparative Drama, 48 <http://search.proquest.com/docview/1676626520?accountid=13460>
Megson, Christopher. 2012. Modern British Playwriting: Voices, Documents, New Interpretations, The 1970s (London: Methuen Drama) <https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884>
Mumford, Meg. 2008. Bertolt Brecht (London: Routledge)
Newman, L.M., and Ann Muir. 2009. The White Fan: Gordon Craig’s Neglected Masterpiece of Symbolist Staging (London: The Malkin Press)
‘NT’s Education Pack on Churchill/Mitchell “A Dream Play”’. [n.d.]. <http://d1wf8hd6ovssje.cloudfront.net/documents/a_dream_play.pdf>
‘Performed Disembodiment in Duras’s Fictional Spaces’. [n.d.]. <http://people.brunel.ac.uk/bst/vol0701/home.html>
Phelan, Peggy, and Jill Lane. 1998. The Ends of Performance (New York: New York University Press)
Pirandello, Luigi. [n.d.]. Six Characters Looking for an Author, Six Characters Looking for an Author (London: Methuen Drama) <https://doi.org/10.5040/9781408164211.00000003>
Rose, Margaret. 1989. The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter (Milano: Unicopli)
Sacks, Glendyr, and Peter Thomson. 2006. The Cambridge Companion to Brecht, 2nd ed (Cambridge: Cambridge University Press) <http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521857090>
Sandford, Mariellen R. 1994. Happenings and Other Acts (London: Routledge) <https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=10188>
Savona, Jeannette Laillou. 1984. Jean Genet (New York: Grove Press)
Schumacher, Claude. 1996. Naturalism and Symbolism in European Theatre: 1850-1918 (Cambridge: Cambridge University Press)
Servos, Norbert. 1981. ‘The Emancipation of Dance: Pina Bausch and the Wuppertal Dance Theatre’, Modern Drama, 23.4 <https://go.openathens.net/redirector/reading.ac.uk?url=https://muse.jhu.edu/article/503283/pdf>
Servos, Norbert, and Gert Weigelt. 2008. Pina Bausch: Dance Theatre (Munich: K. Kieser)
‘Sound Tracks: The Soundscapes of “India Song”’. 1998. Theatre Research International, 23.3 (Cambridge University Press): 205–14 <https://www.cambridge.org/core/journals/theatre-research-international/article/div-classtitlesound-tracks-the-soundscapes-of-span-classitalicindia-songspandiv/3A4AA36371F387899633955A0BE7072D>
Stockenström, Göran. 1991. Strindberg’s Dramaturgy (Stockholm: Almqvist & Wiksell) <http://site.ebrary.com/lib/reading/Doc?id=10159412>
Strindberg, August. 1982. A Dream Play, The Plays (London: Methuen) <https://doi.org/10.5040/9781408183755.00000032>
Styan, J.L. 1981. Modern Drama in Theory and Practice: Vol. 3: Expressionism and Epic Theatre (Cambridge: Cambridge University Press)
Trimingham, Melissa. 2011. The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer (New York: Routledge)
Walker, Julia A. 2005. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (Cambridge: Cambridge University Press) <https://go.openathens.net/redirector/reading.ac.uk?url=http://hdl.handle.net/2027/heb.07577>
Waters, Julia and Society for Francophone Postcolonial Studies. 2006. Duras and Indochina: Postcolonial Perspectives (Liverpool: Society for Francophone Postcolonial Studies)
Wedekind, Frank. 2012. Spring Awakening, Spring Awakening (London: Methuen Drama) <https://doi.org/10.5040/9781408189498.00000036>
Williams, David A. [n.d.]. ‘Killing the Audience: Forced Entertainment’s First Night’, Australasian Drama Studies <http://search.proquest.com/docview/2180177?accountid=13460>
Willis, Sharon. 1987. Marguerite Duras: Writing on the Body (Urbana, Ill: University of Illinois Press)
Worthen, W. B. 1998. ‘Drama, Performativity, and Performance’, PMLA, 113.5 <https://doi.org/10.2307/463244>
Wright, Elizabeth. 1989. Postmodern Brecht: A Re-Presentation (London: Routledge)
