Ackerman, A.L. and Puchner, M. (2006) Against theatre: creative destructions on the modernist stage. Houndmills, Basingstoke: Palgrave Macmillan.
Artaud, A. (1970) The theatre and its double: essays. London: Calder & Boyars.
Aston, E. (1995) An introduction to feminism and theatre. London: Routledge.
Aston, E. and Diamond, E. (2009) The Cambridge Companion to Caryl Churchill [electronic resource]. Cambridge: Cambridge University Press. Available at: http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222.
Balakian, A. and International Comparative Literature Association (1982) The Symbolist movement in the literature of European languages. Budapest: Akademiai Kiado.
Barnett, David (no date) ‘When is a Play not a Drama? Two Examples of Postdramatic Theatre Texts’, New Theatre Quarterly, 24(1), pp. 14–23. Available at: http://search.proquest.com/docview/2119576?accountid=13460.
Bassnett, S. (1983) Luigi Pirandello. New York: Grove Press.
Berghaus, G. (2005) Theatre, performance, and the historical avant-garde. New York: Palgrave Macmillan.
Billington, Michael (2016) ‘Escaped Alone review -- Caryl Churchill’s wry chit-chat cradles catastrophe’, The Guardian [Preprint].
Brecht, B. (1986) Life of Galileo (Student Edition). Methuen Drama student ed, Life of Galileo. Methuen Drama student ed. London: Methuen. Available at: https://doi.org/10.5040/9781408162880.00000033.
Brecht, B., Willett, J. and Davis, J. (2015) Brecht on theatre. 3rd ed. London: Bloomsbury.
Buckley, J. (1AD) ‘LONG “LIVE” THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals’, Theater (New Haven, Conn.), 46, pp. 35–53. Available at: http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US.
Campbell, P. (2004) The body in performance. London: RoutledgeFalmer. Available at: https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315079974.
Cardullo, B. and Knopf, R. (2001) Theater of the avant-garde, 1890-1950: a critical anthology. New Haven: Yale University Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&db=nlabk&AN=187985.
Case, S.-E. (2014) Feminism and theatre. Oxfordshire, England: Routledge. Available at: http://reading.eblib.com/patron/FullRecord.aspx?p=1779149.
Churchill, C. (2016) Escaped alone. [London]: Bloomsbury. Available at: http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.5040/9781784603595.00000002.
Climenhaga, R. (2009) Pina Bausch. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=190018.
Climenhaga, R. (2013) The Pina Bausch sourcebook: the making of Tanztheater. London: Routledge. Available at: http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027.
Cody, G.H. (2000) Impossible performances: Duras as dramatist. New York: Peter Lang.
Cohen, S.D. (1993) Women and discourse in the fiction of Marguerite Duras: love, legends, language. Basingstoke: Macmillan.
Counsell, C. (1996) Signs of performance: an introduction to twentieth-century theatre. London: Routledge. Available at: http://reading.eblib.com/patron/FullRecord.aspx?p=1474664.
Craig, S. (1980) Dreams and deconstructions: alternative theatre in Britain. Ambergate, Derbyshire: Amber Lane Press.
Deak, F. (1993) Symbolist theater: the formation of an avant-garde. Baltimore: Johns Hopkins University Press.
Diamond, E. (1997) Unmaking mimesis: essays on feminism and theater. London: Routledge.
Duras, M. and Bray, B. (1992) Four plays. London: Oberon.
Etchells, T. (1999) Certain fragments: contemporary performance and forced entertainment. London: Routledge. Available at: http://site.ebrary.com/lib/reading/Doc?id=10054916.
Fernandes, C. (2002) Pina Bausch and the Wuppertal Dance Theater: the aesthetics of repetition and transformation. New York: Peter Lang.
‘First Night’ Programme Note by Tim Etchells | Forced Entertainment (no date). Available at: http://www.forcedentertainment.com/notebook-entry/first-night-programme-note-by-tim-etchells/.
Florêncio, J. (2015) ‘Enmeshed bodies, impossible touch’, Performance Research, 20(2), pp. 53–59. Available at: https://doi.org/10.1080/13528165.2015.1026719.
Fortier, M. (2002a) Theory/theatre: an introduction. 2nd ed. London: Routledge.
Fortier, M. (2002b) Theory/theatre: an introduction. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=11120.
Gale, M.B. and Deeney, J.F. (2010a) The Routledge drama anthology and sourcebook: from modernism to contemporary performance. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989.
Gale, M.B. and Deeney, J.F. (2010b) The Routledge drama anthology and sourcebook: from modernism to contemporary performance. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989.
Gale, M.B. and Deeney, J.F. (2010c) The Routledge drama anthology and sourcebook: from modernism to contemporary performance. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989.
Genet, J. and Frechtman, B. (1963) The Maids. Faber.
Innes, C.D. (1993) Avant garde theatre. London: Routledge. Available at: http://site.ebrary.com/lib/reading/Doc?id=10100164.
Itzin, C. (1980) Stages in the revolution: political theatre in Britain since 1968. London: Eyre Methuen.
Jameson, F. (2000) Brecht and method. London: Verso.
Journey, E. (1AD) ‘Frank Wedekind’s Spring Awakening and the Tragedy of Adolescence’, Theatre symposium, 23, pp. 20–138. Available at: http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Frank+Wedekind%27s+Spring+Awakening+and+the+Tragedy+of+Adolescence&rft.jtitle=Theatre+Symposium%3A+A+Journal+of+the+Southeastern+Theatre+Conference&rft.au=Journey%2C+Edward&rft.date=2015-01-01&rft.pub=University+of+Alabama+Press&rft.issn=1065-4917&rft.eissn=2166-9937&rft.volume=23&rft.spage=20&rft.epage=138&paramdict=en-US.
Kaprow, A., Meyer-Hermann, E., Perchuk, A., Rosenthal, S., and Getty Research Institute (2008) Allan Kaprow: art as life. Los Angeles: Getty Research Institute.
Karoline  Gritzner (no date) ‘(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment’, Contemporary Theatre Review [Preprint]. Available at: https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617.
Knowles, R.P. (2004) Reading the material theatre. Cambridge: Cambridge University Press.
Kuhns, D.F. (1997) German expressionist theatre: the actor and the stage. Cambridge: Cambridge University Press.
Lehmann, H.-T. (2006) Postdramatic theatre. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283.
Levy, D. (1AD) ‘Questions of Survival: Towards a Postmodern Feminist Theatre’, New theatre quarterly, 9, pp. 225–229. Available at: http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Questions+of+Survival%3A+Towards+a+Postmodern+Feminist+Theatre&rft.jtitle=NTQ+-+New+Theatre+Quarterly&rft.au=Levy%2C+Deborah&rft.date=1993-08-01&rft.pub=Cambridge+University+Press&rft.issn=0266-464X&rft.eissn=1474-0613&rft.volume=9&rft.issue=3&rft.spage=225&rft.epage=229&paramdict=en-US.
Levy, D. (2000) ‘The B File’, in Plays 1. London: Methuen.
Lib Tayor (no date) Counting Her Dresses. Available at: http://www.reading.ac.uk/internal/FTT-REF/PracticeasResearchinFTT/ProfessorLibTaylor/fttREF-Lib-Taylor-Stein-300-words.aspx.
Lizzie Eldridge (no date) ‘Genet’s The Maids: performativity in performance’, Studies in Theatre and Performance [Preprint]. Available at: https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1386/stap.25.2.99/1.
Lorch, J. (2005) Pirandello: Six characters in search of an author. Cambridge: Cambridge University Press.
‘Marth Witt and Mary Ann Frese Witt, trans. and eds.: Six Characters in Search of an Author’ (22AD) Comparative drama, 48. Available at: http://search.proquest.com/docview/1676626520?accountid=13460.
Megson, C. (2012) Modern British playwriting: voices, documents, new interpretations, The 1970s. London: Methuen Drama. Available at: https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884.
Mumford, M. (2008) Bertolt Brecht. London: Routledge.
Newman, L.M. and Muir, A. (2009) The white fan: Gordon Craig’s neglected masterpiece of symbolist staging. London: The Malkin Press.
‘NT’s Education Pack on Churchill/Mitchell “A Dream Play”’ (no date). Available at: http://d1wf8hd6ovssje.cloudfront.net/documents/a_dream_play.pdf.
‘Performed Disembodiment in Duras’s Fictional Spaces’ (no date). Available at: http://people.brunel.ac.uk/bst/vol0701/home.html.
Phelan, P. and Lane, J. (1998) The ends of performance. New York: New York University Press.
Pirandello, L. (no date) Six Characters Looking for an Author, Six characters looking for an author. London: Methuen Drama. Available at: https://doi.org/10.5040/9781408164211.00000003.
Rose, M. (1989) The symbolist theatre tradition from Maeterlinck and Yeats to Beckett and Pinter. Milano: Unicopli.
Sacks, G. and Thomson, P. (2006) The Cambridge companion to Brecht. 2nd ed. Cambridge: Cambridge University Press. Available at: http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521857090.
Sandford, M.R. (1994) Happenings and other acts. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=10188.
Savona, J.L. (1984) Jean Genet. New York: Grove Press.
Schumacher, C. (1996) Naturalism and symbolism in European theatre: 1850-1918. Cambridge: Cambridge University Press.
Servos, N. (1981) ‘The emancipation of dance: Pina Bausch and the Wuppertal Dance Theatre’, Modern Drama, 23(4). Available at: https://go.openathens.net/redirector/reading.ac.uk?url=https://muse.jhu.edu/article/503283/pdf.
Servos, N. and Weigelt, G. (2008) Pina Bausch: dance theatre. Munich: K. Kieser.
‘Sound Tracks: the Soundscapes of “India Song”’ (1998) Theatre Research International, 23(3), pp. 205–214. Available at: https://www.cambridge.org/core/journals/theatre-research-international/article/div-classtitlesound-tracks-the-soundscapes-of-span-classitalicindia-songspandiv/3A4AA36371F387899633955A0BE7072D.
Stockenström, G. (1991) Strindberg’s dramaturgy. Stockholm: Almqvist & Wiksell. Available at: http://site.ebrary.com/lib/reading/Doc?id=10159412.
Strindberg, A. (1982) A Dream Play, The plays. London: Methuen. Available at: https://doi.org/10.5040/9781408183755.00000032.
Styan, J.L. (1981) Modern drama in theory and practice: Vol. 3: Expressionism and epic theatre. Cambridge: Cambridge University Press.
Trimingham, M. (2011) The theatre of the Bauhaus: the modern and postmodern stage of Oskar Schlemmer. New York: Routledge.
Walker, J.A. (2005) Expressionism and modernism in the American theatre: bodies, voices, words. Cambridge: Cambridge University Press. Available at: https://go.openathens.net/redirector/reading.ac.uk?url=http://hdl.handle.net/2027/heb.07577.
Waters, J. and Society for Francophone Postcolonial Studies (2006) Duras and Indochina: postcolonial perspectives. Liverpool: Society for Francophone Postcolonial Studies.
Wedekind, F. (2012) Spring Awakening, Spring awakening. London: Methuen Drama. Available at: https://doi.org/10.5040/9781408189498.00000036.
Williams, David A (no date) ‘Killing the Audience: Forced Entertainment’s First Night’, Australasian Drama Studies [Preprint]. Available at: http://search.proquest.com/docview/2180177?accountid=13460.
Willis, S. (1987) Marguerite Duras: writing on the body. Urbana, Ill: University of Illinois Press.
Worthen, W.B. (1998) ‘Drama, Performativity, and Performance’, PMLA, 113(5). Available at: https://doi.org/10.2307/463244.
Wright, E. (1989) Postmodern Brecht: a re-presentation. London: Routledge.