Ackerman, Alan L., and Martin Puchner. Against Theatre: Creative Destructions on the Modernist Stage. Vol. Performance interventions. Houndmills, Basingstoke: Palgrave Macmillan, 2006.
Artaud, Antonin. The Theatre and Its Double: Essays. Vol. Signature series. London: Calder & Boyars, 1970.
Aston, Elaine. An Introduction to Feminism and Theatre. London: Routledge, 1995.
Aston, Elaine, and Elin Diamond. The Cambridge Companion to Caryl Churchill. Electronic resource. Vol. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 2009. http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521493222.
Balakian, Anna and International Comparative Literature Association. The Symbolist Movement in the Literature of European Languages. Vol. A Comparative history of literatures in European languages =. Budapest: Akademiai Kiado, 1982.
Barnett, David. ‘When Is a Play Not a Drama? Two Examples of Postdramatic Theatre Texts’. New Theatre Quarterly 24, no. 1 (n.d.): 14–23. http://search.proquest.com/docview/2119576?accountid=13460.
Bassnett, Susan. Luigi Pirandello. Vol. Grove Press modern dramatists. New York: Grove Press, 1983.
Berghaus, Günter. Theatre, Performance, and the Historical Avant-Garde. Vol. Palgrave studies in theatre and performance history. New York: Palgrave Macmillan, 2005.
Billington, Michael. ‘Escaped Alone Review -- Caryl Churchill’s Wry Chit-Chat Cradles Catastrophe’. The Guardian, 29 January 2016.
Brecht, Bertolt. Life of Galileo (Student Edition). Life of Galileo. Methuen Drama student ed. London: Methuen, 1986. https://doi.org/10.5040/9781408162880.00000033.
Brecht, Bertolt, John Willett, and Jack Davis. Brecht on Theatre. 3rd ed. London: Bloomsbury, 2015.
Buckley, Jennifer. ‘LONG “LIVE” THEATER: Feeling Time and Togetherness in Forced Entertainment’s Livestreamed Durationals’. Theater (New Haven, Conn.) 46 (1AD): 35–53. http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=LONG+%22LIVE%22+THEATER%3A+Feeling+Time+and+Togetherness+in+Forced+Entertainment%27s+Livestreamed+Durationals&rft.au=Buckley%2C+Jennifer&rft.date=2016-01-01&rft.pub=Yale+School+of+Drama%2FYale+Repertory+Theatre&rft.issn=0161-0775&rft.eissn=1527-196X&rft.volume=46&rft.issue=2&rft.spage=35&rft.epage=53&paramdict=en-US.
Campbell, Patrick. The Body in Performance. Vol. v. 10, pt. 3. London: RoutledgeFalmer, 2004. https://go.openathens.net/redirector/reading.ac.uk?url=https://www.taylorfrancis.com/books/9781315079974.
Cardullo, Bert, and Robert Knopf. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. New Haven: Yale University Press, 2001. http://search.ebscohost.com/login.aspx?direct=true&scope=site&authtype=shib&custid=s1123183&db=nlebk&db=nlabk&AN=187985.
Case, Sue-Ellen. Feminism and Theatre. Oxfordshire, England: Routledge, 2014. http://reading.eblib.com/patron/FullRecord.aspx?p=1779149.
Churchill, Caryl. Escaped Alone. [London]: Bloomsbury, 2016. http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.5040/9781784603595.00000002.
Climenhaga, Royd. Pina Bausch. New York: Routledge, 2009. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=190018.
———. The Pina Bausch Sourcebook: The Making of Tanztheater. London: Routledge, 2013. http://ebookcentral.proquest.com/lib/reading/detail.action?docID=1016027.
Cody, Gabrielle H. Impossible Performances: Duras as Dramatist. Vol. Literature and the visual arts. New York: Peter Lang, 2000.
Cohen, Susan D. Women and Discourse in the Fiction of Marguerite Duras: Love, Legends, Language. Basingstoke: Macmillan, 1993.
Counsell, Colin. Signs of Performance: An Introduction to Twentieth-Century Theatre. London: Routledge, 1996. http://reading.eblib.com/patron/FullRecord.aspx?p=1474664.
Craig, Sandy. Dreams and Deconstructions: Alternative Theatre in Britain. Ambergate, Derbyshire: Amber Lane Press, 1980.
Deak, Frantisek. Symbolist Theater: The Formation of an Avant-Garde. Baltimore: Johns Hopkins University Press, 1993.
Diamond, Elin. Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge, 1997.
Duras, Marguerite, and Barbara Bray. Four Plays. London: Oberon, 1992.
Etchells, Tim. Certain Fragments: Contemporary Performance and Forced Entertainment. London: Routledge, 1999. http://site.ebrary.com/lib/reading/Doc?id=10054916.
Fernandes, Ciane. Pina Bausch and the Wuppertal Dance Theater: The Aesthetics of Repetition and Transformation. Vol. New studies in aesthetics. New York: Peter Lang, 2002.
‘“First Night” Programme Note by Tim Etchells | Forced Entertainment’, n.d. http://www.forcedentertainment.com/notebook-entry/first-night-programme-note-by-tim-etchells/.
Florêncio, João. ‘Enmeshed Bodies, Impossible Touch’. Performance Research 20, no. 2 (4 March 2015): 53–59. https://doi.org/10.1080/13528165.2015.1026719.
Fortier, Mark. Theory/Theatre: An Introduction. 2nd ed. London: Routledge, 2002.
———. Theory/Theatre: An Introduction. 2nd ed. London: Routledge, 2002. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=11120.
Gale, Maggie B., and John F. Deeney. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. London: Routledge, 2010. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989.
———. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. London: Routledge, 2010. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989.
———. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. London: Routledge, 2010. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=385989.
Genet, Jean, and Bernard Frechtman. The Maids. Faber, 1963.
Innes, C.D. Avant Garde Theatre. London: Routledge, 1993. http://site.ebrary.com/lib/reading/Doc?id=10100164.
Itzin, Catherine. Stages in the Revolution: Political Theatre in Britain since 1968. London: Eyre Methuen, 1980.
Jameson, Fredric. Brecht and Method. London: Verso, 2000.
Journey, Edward. ‘Frank Wedekind’s Spring Awakening and the Tragedy of Adolescence’. Theatre Symposium 23 (1AD): 20–138. http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Frank+Wedekind%27s+Spring+Awakening+and+the+Tragedy+of+Adolescence&rft.jtitle=Theatre+Symposium%3A+A+Journal+of+the+Southeastern+Theatre+Conference&rft.au=Journey%2C+Edward&rft.date=2015-01-01&rft.pub=University+of+Alabama+Press&rft.issn=1065-4917&rft.eissn=2166-9937&rft.volume=23&rft.spage=20&rft.epage=138&paramdict=en-US.
Kaprow, Allan, Eva Meyer-Hermann, Andrew Perchuk, Stephanie Rosenthal, and Getty Research Institute. Allan Kaprow: Art as Life. Los Angeles: Getty Research Institute, 2008.
Karoline  Gritzner. ‘(Post)Modern Subjectivity and the New Expressionism: Howard Barker, Sarah Kane, and Forced Entertainment’. Contemporary Theatre Review, n.d. https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1080/10486800802123617.
Knowles, Richard Paul. Reading the Material Theatre. Vol. Theatre and performance theory. Cambridge: Cambridge University Press, 2004.
Kuhns, David F. German Expressionist Theatre: The Actor and the Stage. Cambridge: Cambridge University Press, 1997.
Lehmann, Hans-Thies. Postdramatic Theatre. London: Routledge, 2006. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=56283.
Levy, Deborah. ‘Questions of Survival: Towards a Postmodern Feminist Theatre’. New Theatre Quarterly 9 (1AD): 225–29. http://zp2yn2et6f.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Questions+of+Survival%3A+Towards+a+Postmodern+Feminist+Theatre&rft.jtitle=NTQ+-+New+Theatre+Quarterly&rft.au=Levy%2C+Deborah&rft.date=1993-08-01&rft.pub=Cambridge+University+Press&rft.issn=0266-464X&rft.eissn=1474-0613&rft.volume=9&rft.issue=3&rft.spage=225&rft.epage=229&paramdict=en-US.
———. ‘The B File’. In Plays 1, Vol. Methuen contemporary dramatists. London: Methuen, 2000.
Lib Tayor. ‘Counting Her Dresses’, n.d. http://www.reading.ac.uk/internal/FTT-REF/PracticeasResearchinFTT/ProfessorLibTaylor/fttREF-Lib-Taylor-Stein-300-words.aspx.
Lizzie Eldridge. ‘Genet’s The Maids: Performativity in Performance’. Studies in Theatre and Performance, n.d. https://go.openathens.net/redirector/reading.ac.uk?url=http://www.tandfonline.com/doi/abs/10.1386/stap.25.2.99/1.
Lorch, Jennifer. Pirandello: Six Characters in Search of an Author. Vol. Plays in production. Cambridge: Cambridge University Press, 2005.
‘Marth Witt and Mary Ann Frese Witt, Trans. and Eds.: Six Characters in Search of an Author’. Comparative Drama 48 (22AD). http://search.proquest.com/docview/1676626520?accountid=13460.
Megson, Christopher. Modern British Playwriting: Voices, Documents, New Interpretations, The 1970s. London: Methuen Drama, 2012. https://go.openathens.net/redirector/reading.ac.uk?url=http://dx.doi.org/10.5040/9781408177884.
Mumford, Meg. Bertolt Brecht. Vol. Routledge performance practitioners. London: Routledge, 2008.
Newman, L.M., and Ann Muir. The White Fan: Gordon Craig’s Neglected Masterpiece of Symbolist Staging. London: The Malkin Press, 2009.
‘NT’s Education Pack on Churchill/Mitchell “A Dream Play”’, n.d. http://d1wf8hd6ovssje.cloudfront.net/documents/a_dream_play.pdf.
‘Performed Disembodiment in Duras’s Fictional Spaces’, n.d. http://people.brunel.ac.uk/bst/vol0701/home.html.
Phelan, Peggy, and Jill Lane. The Ends of Performance. New York: New York University Press, 1998.
Pirandello, Luigi. Six Characters Looking for an Author. Six Characters Looking for an Author. London: Methuen Drama, n.d. https://doi.org/10.5040/9781408164211.00000003.
Rose, Margaret. The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter. Milano: Unicopli, 1989.
Sacks, Glendyr, and Peter Thomson. The Cambridge Companion to Brecht. 2nd ed. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2006. http://idpproxy.reading.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521857090.
Sandford, Mariellen R. Happenings and Other Acts. London: Routledge, 1994. https://ebookcentral.proquest.com/lib/reading/detail.action?milDocID=10188.
Savona, Jeannette Laillou. Jean Genet. Vol. Grove Press modern dramatists. New York: Grove Press, 1984.
Schumacher, Claude. Naturalism and Symbolism in European Theatre: 1850-1918. Vol. Theatre in Europe. Cambridge: Cambridge University Press, 1996.
Servos, Norbert. ‘The Emancipation of Dance: Pina Bausch and the Wuppertal Dance Theatre’. Modern Drama 23, no. 4 (1981). https://go.openathens.net/redirector/reading.ac.uk?url=https://muse.jhu.edu/article/503283/pdf.
Servos, Norbert, and Gert Weigelt. Pina Bausch: Dance Theatre. Munich: K. Kieser, 2008.
‘Sound Tracks: The Soundscapes of “India Song”’. Theatre Research International 23, no. 3 (1998): 205–14. https://www.cambridge.org/core/journals/theatre-research-international/article/div-classtitlesound-tracks-the-soundscapes-of-span-classitalicindia-songspandiv/3A4AA36371F387899633955A0BE7072D.
Stockenström, Göran. Strindberg’s Dramaturgy. Stockholm: Almqvist & Wiksell, 1991. http://site.ebrary.com/lib/reading/Doc?id=10159412.
Strindberg, August. A Dream Play. The Plays. London: Methuen, 1982. https://doi.org/10.5040/9781408183755.00000032.
Styan, J.L. Modern Drama in Theory and Practice: Vol. 3: Expressionism and Epic Theatre. Cambridge: Cambridge University Press, 1981.
Trimingham, Melissa. The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer. Vol. Routledge advances in theatre and performance studies. New York: Routledge, 2011.
Walker, Julia A. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words. Vol. Cambridge studies in American theatre and drama. Cambridge: Cambridge University Press, 2005. https://go.openathens.net/redirector/reading.ac.uk?url=http://hdl.handle.net/2027/heb.07577.
Waters, Julia and Society for Francophone Postcolonial Studies. Duras and Indochina: Postcolonial Perspectives. Vol. S.F.P.S. critical studies in postcolonial literature and culture. Liverpool: Society for Francophone Postcolonial Studies, 2006.
Wedekind, Frank. Spring Awakening. Spring Awakening. Vol. Methuen’s theatre classics. London: Methuen Drama, 2012. https://doi.org/10.5040/9781408189498.00000036.
Williams, David A. ‘Killing the Audience: Forced Entertainment’s First Night’. Australasian Drama Studies, n.d. http://search.proquest.com/docview/2180177?accountid=13460.
Willis, Sharon. Marguerite Duras: Writing on the Body. Urbana, Ill: University of Illinois Press, 1987.
Worthen, W. B. ‘Drama, Performativity, and Performance’. PMLA 113, no. 5 (October 1998). https://doi.org/10.2307/463244.
Wright, Elizabeth. Postmodern Brecht: A Re-Presentation. Vol. Critics of the twentieth century. London: Routledge, 1989.